This episode’s dropping in June—and if you’re listening the day, week, or even month it’s released, well, you already know that. I’ve been thinking about adding these time stamps to each episode moving forward. It just helps frame the conversation, especially considering how fast things are changing.
I just got back from a swing through California—starting up in the Bay Area and making my way down through Pasadena and LA. I met with some brilliant creatives and brand leaders to talk shop about the market, the mood, and where things stand right now.
And if there’s one thing we can all count on these days, it’s the unpredictability of… well, everything. Between extreme weather events, climate challenges, and an ever-shifting political landscape—again, not pointing fingers here—just acknowledging how these forces are impacting the shelter space in very real ways.
So, moving forward, expect more context in these intros, and more conversations focused on market dynamics—specification, supply chain challenges, and how brands are staying sharp with costs, design, and materials.
Today’s guest is Alexander Dornbracht, Vice President and General Manager of Kallista and Robern, both under the Kohler umbrella. Alex literally grew up in this industry—his family business was in the same space—so he knows it inside and out. And he’s here to give us an unfiltered look at what’s really happening out there.
A big thank you to Alexander Dornbracht—great catching up, and I really appreciate the insight. And, of course, thank you to our amazing partners: TimberTech, Pacific Sales, and Design Hardware. These are incredible companies and true friends of the trade. Please keep them in mind for your next project.
Thanks to you for listening, subscribing, and sharing the show with your friends and colleagues. If you haven’t subscribed yet, go ahead and hit that button so you get each new episode delivered straight to your feed.
I always love hearing from you, so keep those messages coming—email me at convo by design at outlook dot com and follow along on Instagram, @ConvoXDesign (with an “X”).
Until next week—thank you for spending this time with me. Be well, stay focused, and now that chaos has really settled in… do your best to rise above it.
In a thoughtful and far-ranging conversation, architect Mitch Rocheleau sits down with me to discuss the deeper layers of architecture, the critical importance of reflection in design, and the challenges—and opportunities—presented by rebuilding in the face of disaster. Throughout our exchange, Rocheleau consistently returns to one core belief: architecture is not merely about aesthetics or function, but about the human experience.
“I think architecture, if you study and reflect on it, write about it, think about it deeply, can be in some ways a storybook,” Rocheleau said early in the conversation. “You can read it and gain profound insights into the people that were building it.” Which is such a dynamic idea and one we just don’t often consider.
Thank you Mitch, Amazing. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos.
The Power of Writing in Design
Rocheleau has become known not just for his architectural practice, but for his written reflections on the field. These writings—available via Rust Architects—provide critical insight often missing from mainstream discussions of architecture.
What drives this urge to document and reflect? Rocheleau sees it as an essential part of the creative process.
“As I’ve gone through that process [of creating], I’ve begun to feel the intuition or this need to reflect,” he explained. “To say, okay, what am I actually doing? Where is this coming from? What is the work I’m putting into the world?” Such purposeful cogitation creates the framework for managing creative ideas for a greater purpose.
This emphasis on writing as a reflective tool, rather than simply a vehicle for promotion or analysis, places Rocheleau in a tradition of architectural thinkers who seek deeper meaning in their work. He draws inspiration from historical figures such as John Ruskin, seeing the built environment as both a product and reflection of civilization.
Bridging School and Reality
A particularly compelling moment in the interview, for me, came when Mitch and I discuss a comment from architect Brian Pinkett: that architecture school doesn’t teach students how to design, but rather how to think critically. Rocheleau agreed, but pointed out a troubling disconnect between that training and the professional world.
“It seems to me that there may be in the path of architecture… a primary path, and then along the way, a series of possibly distractions,” he said. These distractions include software, rendering techniques, and other technical tools that—while valuable—can steer young architects away from their original, human-centered purpose.
Rocheleau’s concern is that without conscious reflection, the architectural process becomes reactive, not intentional. He views writing, philosophy, and psychology as tools to reconnect with that original path.
“At its essence, it all can come back to the idea of the human and what’s going on in the human’s mind as we’re walking through space.”
A Lens on the Farnsworth House
Mitch and I discuss one of his recent writings on the Farnsworth House by Mies van der Rohe. While often seen as a minimalist icon of modernism, Rocheleau sees it through a more emotional and humanistic lens.
“There was this really maybe sensitive approach from Mies van der Rohe about the human experience,” Rocheleau explained. “Which is a strange thing, because I think he often doesn’t really get credit for that type of thinking.”
He views the Farnsworth House not just as an object of design, but as a symbol of a new, more transparent way of living—one that connects people more directly with their surroundings. The building, in his view, represents not only architectural purity but emotional vulnerability.
“It’s massively freeing to think that it’s possible to live that way,” he said of the open, glass-walled structure.
Lessons from the Past: Venice as a Living Artifact
Turning to another of Rocheleau’s essays, I highlighted a piece on the architectural history of Venice—an improbable city that, as the architect pointed out, “shouldn’t exist.” The challenges Venice faced gave rise to unique solutions, like the Venetian chimney, which doubled as both an artistic feature and a fire safety measure.
“It’s this confluence of beautiful art and necessity,” Rocheleau explained. “Somebody’s in a challenging place, and they’re problem solving.”
For Rocheleau, Venice exemplifies how constraints and adversity often lead to innovation. He contrasted this with the top-down, utopian visions often proposed by urban planners—visions that may be beautiful but are often divorced from lived reality.
“Without those challenges, that city would not be what it is today,” he noted. “There’s a bit of hollowness in a plan that hasn’t faced resistance.”
Rebuilding After Disaster: Southern California’s Moment
Los Angeles and Southern California in the wake of wildfires that have devastated communities. With the surge in rebuilding efforts provide both risk and an opportunity.
Rocheleau sees parallels with Venice’s resilience—suggesting that, just as hardship led to innovation in the past, today’s crises could inspire smarter, more human-centered urban planning.
Rocheleau agrees that now is a time to reflect deeply on what kind of environments truly serve humanity—not just physically, but emotionally and spiritually.
“I think we should reflect as a collective society… to help us get a better compass for how to proceed with architectural work in the future.”
The Takeaway: Thought Before Form
Throughout the discussion, Mitch Rocheleau makes a compelling case that architecture is as much about thought as it is about form. His writings, rich with philosophy, psychology, and historical insight, aim to bring intentionality back into a profession often overwhelmed by trends and tools.
In a world dealing with climate disasters, urban sprawl, and shifting cultural values, his voice is a reminder that architecture has always been—and should remain—a human art.
Rebuilding Los Angeles: Balancing Urgency, Legacy, and Vision for the Future
In the wake of disaster, the urgency to rebuild is often overwhelming. Families are displaced, communities fractured, and infrastructure shattered. It’s entirely human to want to move quickly—to restore normalcy, provide shelter, and begin again. But what if moving fast risks missing the chance to do something truly transformational?
This tension is especially evident in places like Los Angeles—a sprawling, layered urban environment that defies easy categorization. To understand LA is to understand that it’s not one unified city but a complex mosaic of neighborhoods, each with its own identity, architecture, and community fabric. In a region so rich in diversity and history, rebuilding isn’t just about putting walls back up—it’s about deciding how we live, why we build, and what legacy we leave behind.
The Dangers of Rebuilding in Haste
The instinct to rebuild quickly is understandable, especially after catastrophe. But speed can come at the cost of quality, thoughtfulness, and long-term resilience. As one architect reflected, there’s a real risk in responding with haste: the impulse to recreate the same structures, to replicate familiar patterns without taking the time to reflect on what worked, what didn’t, and what could be improved.
Rather than defaulting to “build back the same,” there’s a compelling argument for pausing—just long enough—to ask deeper questions. What are the values of the community? How should infrastructure serve people today, and tomorrow? And how can the rebuilt environment contribute not just to housing needs, but to culture, identity, and connection?
Preservation vs. Progress: A Los Angeles Dilemma
Los Angeles faces a unique architectural paradox. On one hand, it houses some of the most iconic mid-century and modernist structures in the country. On the other, it is a living, breathing organism that constantly evolves—one that doesn’t (and arguably shouldn’t) preserve everything for the sake of nostalgia.
Take the example of Eichler homes. Built as part of the post-World War II housing boom, these homes reflect a critical shift in how Americans thought about suburban living. With open courtyards, indoor-outdoor flow, and modern materials, Eichlers weren’t just houses—they were a statement about a new way of life. They marked a philosophical and aesthetic evolution, one that mirrored broader changes in society.
But here’s the irony: while Eichlers are celebrated today as architectural gems, they were once just part of a larger tract housing movement—one often dismissed for its uniformity and lack of design rigor. This contradiction highlights the challenge of preservation: how do we decide what is “worth” saving? What makes one tract home a heritage site, while another is fair game for demolition?
A Moment of Opportunity
Today, Southern California has a rare opportunity—perhaps the greatest since the postwar boom—to reshape the urban landscape for generations to come. Disaster, as tragic as it is, presents a unique chance to not just restore, but to reinvent.
It’s a chance to take what we’ve learned—about materials, sustainability, equity, and design—and apply it at scale. To create housing that isn’t just affordable, but beautiful and dignified. To craft public spaces that foster connection. To reimagine density not as a threat, but as a solution to sprawl, climate strain, and social isolation.
This isn’t about tearing down the past. It’s about learning from it—and building a better future because of it.
The Role of Architectural Language
Architecture is a language, and like any language, it evolves. Styles shift, materials change, needs adapt. Yet at its core, good architecture speaks to the human experience. It tells a story—about how we see ourselves, our values, our aspirations.
In the absence of nuanced architectural criticism, however, these stories are often lost. Today’s social media environment favors snapshots over substance, impressions over inquiry. A photo of a sleek facade might go viral, but who explains the deeper design choices? Who critiques whether a building works—not just visually, but emotionally, functionally, and socially?
This is why thoughtful architectural voices are needed now more than ever. Not just to defend preservation or promote innovation, but to interpret, contextualize, and push the conversation forward.
Learning from the Masters—And Moving Beyond Them
Even the most revered architects had blind spots. Visiting Frank Lloyd Wright’s Price Tower in Bartlesville, Oklahoma, one is struck by its grandeur and ambition—but also by its shortcomings. The dramatic design includes soaring glass expanses and rich materials, but also narrow hallways and impractical living spaces. One secretary’s desk was placed beneath a half-wall that blocked her view, despite floor-to-ceiling windows nearby. It’s a reminder that architectural vision can sometimes ignore human needs.
These imperfections don’t diminish Wright’s legacy—but they do highlight the importance of designing not just for expression, but for experience. Today’s architects must balance vision with empathy, aesthetics with usability.
Toward a New Los Angeles
What does the next Los Angeles look like? That depends on the questions we’re willing to ask—and how brave we are in answering them.
Can we build faster and better? Can we honor the past while embracing the future? Can we move beyond labels—“modernist,” “traditionalist,” “preservationist”—and simply strive to create environments that work for people?
The answer lies not in one master plan, but in many conversations—among architects, planners, community members, and leaders. It lies in resisting the pressure to rush, and instead seizing this moment to do something deeper.
Los Angeles is not static. It never has been. But it can be intentional. And in that intention lies the hope of a more resilient, equitable, and inspiring city for the next generation.
Twenty-twenty-five will definitely go down as a chaotic year. But listen, I am not going to complain because it’s not productive. Productivity, very difficult to achieve in any field without the freedom of creativity. Creativity is suppressed when worry and doubt are present. I read an article in Psychology Today recently called, How Anxiety Harms Creativity (And What to Do About It). You can find a link in the show notes. The article draws a correlation between anxiety and creativity that outlines why and how fear, exhaustion and doubt can hinder creativity. And how creative types can struggle from this. As a creative who speaks to other creatives, and for you, as a creative listening, we are in the same headspace, think about that for a minute.
We are all alone, together in the pursuit of meaning, creative expression, love and satisfaction. If you are in constant state of chaos and worry, how can you do your best work. We can’t. Think about Convo By Design as a respite from the external chaos and a place to reconnect with others who are likeminded and in pursuit of the same things you are. And in that effort, today, you are going to hear from Dan D’Agostino, founder and principle architect at Plan Architecture. Dan and I talk about creative freedom and we go into the work they are producing at Plan Architecture. We go into it and one of the things I find so interesting about Dan and his firm is that the work is complex and covers multiple styles and influences. From traditional to modern and much in between.
In addition to external factors complicating the creative process, often, creative types will become fixated on signature style and often, it’s not intentional. It just happens. Creative flexibility is a gift and one you will hear Dan and I explore along with a number of other topics. All in an effort to inspire you, spur creative thought and get you out of your head for a little while. So, let’s get to it. Right after this.
Thank you, Dan. Enjoyed this immensely. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
I imagine you and I are similar in many ways. When creating my editorial calendar, I try to craft a broader narrative of the design and architecture industry. I view this show as a time capsule being both created and consumed in real time. But if you go back and listen to episodes from 2013 when this podcast was started until now, you will discover an illustrative exposition that both narrates in real time and looking forward to demonstrate where the industry is going by examining where we are. It’s a futuristic approach to the built environment. To be transparent with you, that is the part I enjoy most. Every now and then, like the impact of a meteor, something happens to make us all think about the industry as we know it. As we approach the work. These days, it feels like we are experiencing an unending barrage of meteor strikes which is turning our industry upside down. And, believe it or not, I’m not even talking about tariffs, government chaos, wildfires or the supply chain!
We will be reviewing all of these, but not today. In 2018, you might have heard a conversation I published from the LA Design Festival on the topic of intellectual property rights, IP law and how it was affecting the industry. In the following episode, I will be introducing you to Andrew McBride, Partner @ Adams & Reese and Carter Pope, Associate @ Adams & Reese. I found Andrew and Carter while on a journey of exploration, there is a case moving it’s way through the legal system called Aaron and Samantha Judge v. Drew Designs, LLC. This is a case about a design relationship gone wrong rife with communication issues, contract issues and a litany of other things that make for a messy professional relationship that winds up in the courts. McBride and Pope authored an article called, “Hidden Ball Trick” – Yankees’ Aaron Judge Case Involving Deception Carries Lessons for Contractors.I’ve added a link in the show notes and I highly recommend this for contractors, architects and designers. The following conversation covers a number of issues that led to both parties winding up in court and as you are going to hear, much if not all of this could have been avoided. In addition to this case, we also explore, the Judd Foundation v. Clements Design, Inc. in a case that will surely affect the future of dupes as well as another case winding it’s way through the courts like a medieval knight moving through the digestive tract of a money guzzling dragon, Gifford v. Sheil. Perhaps the metaphor is too graphic, I’ll rethink that one. But it fits. The law is a complicated knot of ideas and it seems to me the best way to avoid legal entanglements is to do good business in the first place and when disagreements come up, and they will, you work hard to find common ground and squash it. And this is why. You will hear the whole conversation with Andrew McBride and Carter Pope of Adams & Reese, right after this.
Thank you, Andrew and Carter. Enlightening. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
Things are changing. Can you feel it? I can. The mood in the design, architecture, built space is changing in response to external factors. Those external factors are being felt in numerous ways. I’ll give you an example and we don’t about this much, not nearly enough. Hardening of the enclosure in architecture is leading to new ways architects are approaching the exterior envelope of projects to address the threats brought on by climate change. Remember ‘global warming’? That was a misnomer, it’s climate change. Design has and in large part is still focused on aesthetic, but that too is changing. Are you changing with it?
Change is hard. All change is hard. But without change, there is no evolution. Without evolving, we do the same things over and over regardless of the outcome. I have changed, Convo By Design has changed. Seemingly everyone has a podcast now, and it feels like every editorial headline is ‘something’ by design. 12 years ago, neither was that way. I see how my own editorial approach has changed, these conversations we share each week have changed and the industry is changing as well. Not by choice, but because, as the quote from Moneyball goes, “Adapt or die”. Today, you are going to listen in on my conversation with Steph Schlegelmilch, founder and chief creative director of Studio Seva. This Westport, Connecticut based creative blends a holistic approach with technical application. Steph shares her thoughts on a number of ideas affecting the business of design today, and these ideas are not going away any time soon. They include;
An appreciation of and learning form failure
Experience and collaboration
Exploration of style, techniques and materials
Styling and photography
Trend translation , modification and the edit process
Home styling challenges
Lighting design
Partnerships
All of these ideas should be taught in a formal design education. Sadly, they are not. But you can find them explored here. So, enjoy this episode with Studio Seva’s Steph Schlegelmilch.
Thank you, Steph. Enjoyed this. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
This year, KBIS brought a whole new energy. This new energy and vibe was brought on by a number of issues on the minds of both design creatives, their clients and the brands that hope to be included in future projects. I think it was also fueled by a discomfort. One that many if not most of us are feeling by the political chaos created by this new administration. Now listen, before you get tribal on me, hear me out. Regardless for whom you voted, when a new administration comes in, they get to make the changes they see fit. And it doesn’t really matter if you agree or disagree, it is a fact of life and elections have consequences. That was the topic of discussion that elevated above all others and I believe that this discomfort being felt has motivated many creatives to reengage in their business and recommit to to their craft despite the head winds headed our way. And you are going to hear some of those conversations! KBIS, the Kitchen and Bath Industry Show, in partnership with the National Kitchen and Bath Association is one of the few “must attend” shows. The event itself is 3 days of brands, talks, programming, events and happenings while combined with the International Builders Show in the same footprint of the Las Vegas Convention Center.
Every first-time attendee to the show is gobsmacked by the sheer volume of people and product. Even those who are veterans of the event seem annually surprised by the amount of walking, talking and lack of physical preparedness required to fully navigate this show.
KBIS is on my list of annual must-attend events for specifiers, designers, architects and design-build firms. Why? There are a few reasons for this and following is a comprehensive, possibly incomplete, but significant nonetheless.
Networking – If there is someone in the industry that you are hoping to meet, there is a very good chance that they are at KBIS. Even if they aren’t, you will certainly meet others with whom you can find strategic opportunities. The event itself is optimally conducive to unplanned “run ins”, scheduled meetings and introductions.
Surprise and Delight – Finding new products, materials and services are what makes the idea of a trade show so enticing. You don’t know what you don’t know and an event of this size makes the process of discovery fun and effective. The amount of product interaction over 3 days in over 1 million square feet of convention space is certainly an opportunity to find new products to incorporate into your designs.
Learning and Education – The amount of programming that takes place over these three days is significant. There are opportunities to learn a great deal about a vast number of topics in a short period of time making this one of those rare opportunities that matches your preparedness and willingness to learn equal to the number of opportunities available. In other words, there are more available to you than you could possibly attend.
Weexplore what’s cooking at this year’s KBIS. John shares what SKS is most excited about, the can’t-miss products from the brand, and even reveals which SKS products he has in his own home. Plus, we dive into the future of SKS, discuss creative design installations, and get John’s take on the latest trends in kitchen innovation. Topics discussed include;
The SKS advantage
What is a Technicurean
Advantages to cooking with modern appliances
Product design
How SKS supports the design community through opportunity and education
Application and practical application of tools and techniques. These are just a few of the topics discussed in today’s conversation with designer Maggie Griffin, founder of eponymous firm in Gainesville, Georgia. We are discussing more than design today. A lot more, actually. The changing landscape of the industry and staying ahead of the curve. Oh, that pesky curve.
The trouble with the curve, and staying ahead of it is that if you don’t actively stay ahead of it, it passes you by before you know it. Like AI for example. Many designers fear it, most don’t really understand it. Those choosing to ignore it, or simply dabble won’t lose their clients because of AI. They will lose their clients to designers who adapt and understand how to best use AI in unimaginable ways that will take costs down, increase specification of better products and materials, shrink the timeline and make the absolute most of every designable opportunity. It’s true. Maggie and I are chopping this up along with a number of other ideas like;
Exploring AI tools in practice
AI and interior design application
Industry trends and challenges
Achieving balance of technology and residential design
Kitchen design
Product specification and client trust
Bathroom design concepts
Achieving functionality without sacrificing aesthetic
Thank you, Maggie. Enjoyed this. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
If you are listening to this episode the week it’s published, that would be the week of April 22nd, and you are planning on attending the Spring High Point Market, lucky you… You are going to hear from Victoria Holly, founder of her eponymous firm and one of this years Style Spotters at High Point Market, the Spring 2025 edition. What does it mean to spot style, differentiate emerging style from trend and further differentiate trend from trendy? Trendy, ugh.
Something can be trending and have lasting impact on design, but that separation of lasting impact vs ephemeral interest has been dogging the industry for quite some time. Victoria and I talk about this in detail as well as how she prepares for a show like High Point Market and what conversations she will be having as it relates to supply chain, pricing, tariffs and potential brand partnerships. The following is a master class on event prep. A conversations that was a joy to participate in and that I am incredibly proud to share with you in the hopes that you can prep if your going this time or perhaps in the fall. This conversation is absolutely jammed with actionable ideas for design talent at every level because Victoria knows her industry well. It is clear that she has studied her craft and knows how she wants that knowledge and insight to serve her. An idea that we don’t talk about nearly enough. But we do today and you will hear it all in the next hour.
Thank you Victoria, loved this. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.
Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
Patience. It’s hard to navigate around because everything is seemingly delivered almost overnight. Actually, it’s more like two days thanks to Amazon. So, after I return from a show like KBIS, I have hours and hours of content to cull through and produce. I want to share some of my process with you. While there is an overwhelming urge to publish everything right when I get back, I have found that a more deliberate approach to content deployment. I have actually found it similar to how many design professionals stage their work on projects. Interesting and something we will be exploring further in the future.
Today, you are going to hear from two incredible designers and long time friends of the show.While at KBIS, I had the opportunity to speak with Breegan Jane and Kim Gordon. We discussed a number of topics that every working designer today should hear. It’s also not just about the work, the business or trade shows. Life lessons from two of the most honest and authentic people I know. And you are going to hear all about it, first from Kim and then Breegan right after this.
Loved this. Thank you Kim and Breegan. Thank you to my incredible partner sponsors; TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. And, thank you for listening, subscribing the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed. Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
In a bygone time, we had celebrated architecture critics, historians and thought leaders like; Ada Louise Huxtable, Lewis Mumford, Jane Jacobs and Vincent Scully. These were gifted thought leaders with a willingness to share their views, good or bad, but never indifferent. They and others influenced the manner in which we looked critically at the shape and purpose of the spaces where we live work and play. Arch Daily wrote a piece in 2012 called The Architect Critic is Dead (just not for the reason you think). Is it. Is it, really?
I don’t think the architect critic is dead, it has changed. It’s like Syndrome’s quote from The Incredibles. That when everyone has superpowers, no-one will be a superhero. It’s this dilution of meaning through social media where everyone has an opinion and no hesitation about sharing it. Very little self-awareness and a platform, then everyone is a critic but without the critical thinking or communication skills to articulate their ideas effectively. Enda Donagher and I chop this idea up a Biot and he shares his experience in the business over the past 30-years plus. Enda and I talk about the business and his work.
Donagher’s firm addresses the architecture and interior design and his work is nuanced through a personalized approach and sensibly modern in look and feel. The ideas regarding the architect critic is relevant for a number of reasons, not the least of which is the opportunity to deconstruct the ideas that go into creating amazing work. If the work can be deconstructed, it provided a forum for critical thought to better our architecture and design. If we can apply critical thought, share ways to improve, then Syndrome was wrong. Everyone truly can be a super because everyones work is better and the level of expectation is raised. I enjoyed this conversation and I hope you do too. You’ll hear all about it, right after this.
Thank you, Enda. Loved our chat. Thank you to my incredible partner sponsors, ThermaSol, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. And, thank you for listening, subscribing the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed. Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. – CXD
