Justice by Design: Redefining the Architecture of Incarceration | 689 | Parkin Architects Principals Richard Hout and Robert Boraks

Healing Over Hardship – While prison architecture is often associated with “locking people up,” modern justice design is pivoting toward rehabilitation, reintegration, and community connection. This episode explores how shifting the physical environment from fortresses to “healing centers” can reduce stress for both inmates and staff, ultimately lowering recidivism rates and serving the best interests of society.

  • The Purpose of the Typology: Architecture must follow function. If the goal of a facility is rehabilitation rather than pure punishment, the design must reflect that through “soft” materials, natural light, and open programming.
  • The “Normalization” of Space: Incorporating elements like drywall (as seen in the Rankin Inlet project) instead of concrete, and providing views of nature, helps de-escalate tension and improve the mental health of residents and correctional officers.
  • Technology as a Barrier-Breaker: Advances in AI and electronic tracking may eventually reduce the need for physical “hard” barriers like barbed wire, allowing facilities to blend more seamlessly into the community.
  • The “Triage” Model: Modern facilities are increasingly being viewed as stabilization points to address the high rates of mental illness (70% in Canada) and homelessness among the incarcerated population.
  • Reframing the Narrative: The architects argue for viewing justice facilities through the lens of: “How would I want my loved one treated if they were here?”
  • Parkin Architects: The firm featured in this episode, specializing in justice, healthcare, and institutional design.
  • Rankin Inlet Men’s Healing Facility: A landmark project discussed for its use of “soft” architecture and lack of perimeter fencing to foster a healing environment.
  • The “Normalization” Principle: A concept in correctional philosophy stating that life inside should resemble life outside as much as possible to prepare for reintegration.
  • Michel Foucault: The philosopher referenced regarding the “Carceral Archipelago” and the similarities between schools, hospitals, and prisons.

Reimagining the “Hard” Box: The Purpose of Typology

In traditional architectural circles, the “prison” typology has long been defined by its permanence and its posture of punishment. Historically, these structures were designed as “hard boxes”—windowless, concrete monoliths intended to separate the “other” from society. However, as discussed in the latest Convo By Design, architects Richard Hewitt and Robert Boraks are challenging the very foundation of this design philosophy. The fundamental question is no longer just “how do we keep people in?” but rather, “What is the purpose of this place?”

When a facility is designed strictly for punishment, it often fails at its unstated but essential goal: public safety. If 70% of those entering the system suffer from mental illness or substance abuse, a “hard” environment only serves to exacerbate trauma. By shifting the typology toward “Healing Centers,” architects are utilizing evidence-based design to lower the temperature of incarceration. This means replacing oppressive materials with softer finishes and ensuring that the physical layout supports programming like trades training or farming. By defining the purpose as rehabilitation and reintegration, the architecture stops being a cage and starts being a tool for societal health.

The Normalization of Space: Breaking the Fortress Mentality

One of the most striking revelations in modern justice architecture is the “Normalization” principle. This concept suggests that if you treat an individual like an animal in a cage, they will likely behave like one. Conversely, if you provide an environment that mimics the outside world—with natural light, acoustic control, and “normal” windows and doors—stress levels drop significantly for both residents and staff.

Take the Rankin Inlet Men’s Healing Facility as a primary example. Built in the Canadian North, this facility famously lacks a perimeter fence and was constructed using drywall rather than indestructible concrete. The result? A dramatic decrease in destructive behavior and a surge in staff morale. When a space feels like a school or a library rather than a fortress, the stigma of incarceration is reduced. This “soft” approach doesn’t just benefit the incarcerated; it creates a safer work environment for correctional officers, who are the “true lifers” of the facility. By normalizing the space, we prepare individuals for the day they walk back into a grocery store or a community park, ensuring they aren’t entering a world they no longer recognize.

Technology as a Catalyst for Change

As we move further into the 2020s, technology is poised to render the traditional “fortress” prison obsolete. We are entering an era where AI-driven monitoring, facial recognition, and biometric tracking can provide security without the need for literal iron bars. Architects are now looking at a future where a facility can be integrated into the fabric of a city—perhaps even as a mixed-use development—because the “containment” is digital and psychological rather than just physical.

Technology allows for predictive safety measures. AI can analyze movement patterns and biometric data (like heart rate or body temperature) to alert staff to rising tensions before an incident occurs. This shift allows for more “open” environments where individuals can move freely within a secure digital envelope. Furthermore, technology facilitates a “triage” model of justice, where data helps identify mental health needs or housing instability the moment someone enters the system. As Robert Boraks noted, we may reach a point where we ask: Do we even need prisons in their current form? By leveraging technology, we can move away from “warehousing” humans and toward a more precise, data-driven method of social support and community protection.

Building a Safe Harbor for Creative Growth: A Family Affair | 675 | Introducing Shelter Republic

Today is one of the most incredible episodes of the show I have ever produced. I don’t say this lightly. Today, you are going to hear about a new project called Shelter Republic, officially launching although if you are an avid listener, you have probably heard me talking about it as we prepared for launch. Well, it’s here, and it’s official. And You are going to hear from my co-founder…I’m sitting down with computer engineer and Shelter Republic co-founder Jack Cooperman to discuss the platform’s structural architecture, functionality, purpose, and the necessity for safe places to explore ideas amongst peers.

  • The Genesis of Shelter Republic: Jack and I reflect on the evolution of the platform, tracking its roots back to when Jack and his sister first visited Josh on stage at the WestEdge Design Fair. The community was built to bridge regional gaps and provide a collaborative, peer-to-peer ecosystem for architects and designers.
  • Designing UX for Geographic Context: Jack outlines the structure of the platform, which is divided into five nationwide micro-communities (including the Mountain Atlantic and Southwest regions). This allows for highly localized discussions on styles, culture, and business norms while keeping a unified national hub.
  • Cultivating a “Safe Place to Fail”: The co-founders debate the nature of failure in school versus a creative career. Josh emphasizes that Shelter Republic is deliberately engineered as a vetted, invite-only environment to protect accomplished creatives from public “dogpiling” or algorithmic scrutiny when exploring new, untested concepts.
  • Platform Features & Onboarding: Built to avoid user-data exploitation and ad clutter, the platform operates via direct invitation and QR codes. Features include text-based feeds, real-time messaging, direct networking via professional member bios, live video-conferencing rooms, and educational modules—including Josh’s masterclass, Podcasting for Creatives.
  • Addressing Industry Disruptions (AI & Legislation): The conversation dives into how early-career junior designers are transitioning into technology facilitators due to AI studio integration. They also discuss how the platform serves as a “modern town crier” for critical industry news, citing a recent user post by a Southern California designer regarding the engineered quartz ban in California due to silicosis risks.
  • Cooperation Over Competition: Drawing a contrast with the competitive nature of the design world, Josh shares a lesson from his time covering the Playboy Jazz Festival, where legendary jazz musicians prioritized mentoring the next generation to keep the collective genre alive. Shelter Republic aims to foster that exact cross-regional mentorship.

Thank you Jack. I know I have already said it, but I have enjoyed every moment putting this together and we are thrilled to share it. Note on Access: Shelter Republic is entirely free, and does not collect user data except when stated like the use of polls and prompts for professional input. To maintain community standards and security, entry is restricted to verified industry professionals via peer invitation or direct QR code scanning at upcoming events.

The New Kitchen: Personalization, Price Shock, and the Post-Pandemic Evolution | 660 | Kitchen Conversations from Pacific Sales in San Diego

In this roundtable conversation, a diverse group of interior designers and kitchen specialists discuss how kitchen design has transformed in the post-pandemic era. Rising costs, shifting client expectations, and new technologies are forcing designers to rethink how kitchens function and how they are delivered to clients.

The conversation explores everything from appliance innovation and zoning strategies to the emotional role of kitchens as gathering spaces. Designers also confront difficult realities such as escalating budgets, supply chain issues, and the need to guide clients through increasingly complex decisions. We gathered at the Pacific Sales Kitchen & Home showroom in San Diego. A beautiful and well appointed space with so much to see and the room to enjoy it.

Designer Resources

Pacific Sales Kitchen and Home. Where excellence meets expertise.

TimberTech – Real wood beauty without the upkeep

Shelter Republic – Request your membership invitation

At its core, the discussion highlights a broader truth about the design profession today: kitchens are no longer simply rooms for cooking. They are ecosystems that reflect lifestyle, culture, wellness, and the evolving way people live in their homes.

Ginger Rabe

“During Covid everyone was home all day. Now I design for what happens when people come home after being gone all day.”

“The hardest conversation now is telling clients that what cost $50,000 five years ago might be $185,000 today.”

“Sometimes the challenge of designing a luxury kitchen for $22,000 is actually fun—it forces creativity.”

“I build kitchens around how people really cook, not how kitchens are supposed to work.”

“Designers today are often the first people explaining what a project actually costs.”

Kendra Araujo

“Clients are overwhelmed by information now—our job is guiding them through the process.”

“The price conversation is happening much earlier than it used to.”

“People want their dream kitchen, but the cost realities have changed dramatically.”

“We’re constantly helping clients prioritize what actually matters most.”

“There’s so much analysis paralysis today that designers have become translators.”

Kaylee Blaylock

“Function comes first—our job is to make the kitchen work for the client before it looks beautiful.”

“We start with questionnaires because every person in a household uses the kitchen differently.”

“Appliances today allow us to personalize kitchens in ways we couldn’t before.”

“We’re designing zones now—smoothie stations, coffee stations, prep areas.”

“The kitchen has become much more individualized.”

Taylor Troia

“We usually start with appliances because they dictate the entire layout.”

“Once clients understand their appliance choices, the kitchen design almost begins to solve itself.”

“There are so many new appliance innovations that we’re constantly learning.”

“Travel and design shows open our eyes to things that haven’t even reached the U.S. yet.”

“Knowing what’s possible globally helps us serve our clients better locally.”

Rachel Moriarty

“Covid activated more users in the kitchen—people learned to cook.”

“I think about kitchens as stations—charcuterie stations, prep zones, cooking zones.”

“Circulation patterns are the first thing we think about when designing a kitchen.”

“Professional kitchen thinking is influencing residential design more than ever.”

“The best kitchens are ecosystems where people can work without colliding.”

Jules Wilson

“We try to let clients talk first because what they say initially is always the most important.”

“You learn far more by listening than by running through a checklist.”

“Many younger clients have huge wish lists—but they’re often unrealistic.”

“Part of our role is helping clients narrow their priorities.”

“Kitchen design today is as much about psychology as it is about layout.”

Nate Fisher

“Appliances have become central to how we design kitchens.”

“Technology is evolving so quickly it’s hard to keep up with everything available.”

“Every cabinet now has a specialized insert or storage function.”

“Clients want everything organized and hidden away.”

“A clean kitchen visually creates peace in the home.”

Concepts

The Post-Covid Kitchen Shift

Price Shock and the New Budget Reality

Kitchen Zoning and Multi-User Design

Appliance Innovation and Technology

Personalization Through Storage and Organization

Aging in Place and Accessibility

Outdoor Kitchens as Lifestyle Extensions

Convo By Design Icon Registry April 2026 | 659 | Essential Design, The Journey and Philosophy: Roman Alonso

Explore the life, philosophy, and creative process of a designer whose global upbringing and eclectic career shaped the essentialist approach of Commune Studio. From Caracas to Los Angeles, from fashion to interior design, he shares how formative experiences, partnerships, and a pursuit of quality have defined both a firm and a design philosophy centered on purpose, craft, and essential beauty. This is the April, 2026 Convo By Design Icon Registry episode featuring our newest inductee, Roman Alonso presented by Pacific Sales Kitchen and Home.

Designer Resources

Pacific Sales Kitchen and Home. Where excellence meets expertise.

TimberTech – Real wood beauty without the upkeep

Shelter Republic – Request your membership invitation

Alonso grew up in Caracas, Venezuela, experiencing both urban and rural life; early road trips fostered observational skills and appreciation for simplicity. You heard him on the show in 2025 where he told his story. Moved to Miami in 1978, then Boston for college (BU, class of 1987), followed by New York and eventually Los Angeles.

Worked across fashion, publishing, and editorial (including New York Times Magazine and a publishing venture with Lisa Eisner).

Early exposure to high-quality design and aesthetics shaped design sensibilities. He later was part of a team that formed Commune.

Influences on Design

Latin American upbringing emphasized simplicity, rustic charm, and authentic beauty.

Exposure to fashion (Isaac Mizrahi), PR, and the Pressman family shaped understanding of color, detail, and quality.

Personal journey included absorbing lessons from diverse experiences rather than formal design training.

Product and Collection Development

Starts with identifying gaps or problems in the market (e.g., linear sconces, bathroom accessories).

Combines functional necessity with craftsmanship and subtle aesthetics.

Collaborates closely with partners (like David at Remaine) to maintain quality, usability, and accessibility.

Every product is prototyped and tested in real projects before public launch.

Personal Philosophy and Values

Stoicism: focus on controlling what is controllable and striving for virtue.

Commitment to fairness, thoughtful creation, and ethical production.

Imposter syndrome acknowledged as a persistent aspect of creative life.

Approach prioritizes listening to clients, understanding needs, and curating experiences rather than self-expression alone.

Evolution of the Firm

Studio evolved from a small, highly collaborative team to a large firm, then deliberately scaled back to maintain culture and creative flexibility.

Growth now pursued through products, partnerships, and retail rather than studio expansion.