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This is a new series of the show called The Design Messengers. A Monday episode of the show sharing design trade info you need to know. Sometimes it’s not really what you need to know but should know. This is an audio essay shining a light on a few simple ideas that make this industry so amazing.
I have a long held passion for and fascination with the set decorators that craft the sets for some of our favorite TV shows, movies, live performances and yes, even commercials. I’m not sure if I told you this before, but Hollywood set design runs in my family. Not as set decorators but as prop house owner, purveyor and provider of objects meant to decorate sets. My Uncle Earl was the founder and owner of EC Props. Now known as E. C. Prop Rentals. They provide the less glamorous, gritty objects you might find on an industrial set, a back alley, commercial environment or city street.
I remember him telling me how he got into the business. He was a Teamster driving for CBS. He found a few dirt mats. These are rollable rugs that look like dirt, the ground that set decorators would use to dress an outdoor set, like a campground. A much younger me asked if I could see one, he laughed and said no, because he never sees them. They are always rented out. They went from one set decorator to the next, always rented, always making money. I never even thought that was away to make money. But he did. And instead of finding beautiful objects you might find decorating the sets of the time, like Hart to Hart or Designing Women, he was the purveyor of objects like dumpsters, transformers, tools and lockers for a 1988 episode of Ohara starring Pat Morita and decorated by Robin Royce or Crime Story, a show starring Dennis Farina, featuring the acting talents of Gary Sinise, David Caruso, Andrew “Dice” Clay, Pam Grier, Ving Rhames and Miles Davis, as himself of course! Produced by Michael Mann with set decoration by Linda Lee Sutton. Sutton, by the way…still a working set decorator with 2023 credits that include NCIS: Hawaii.
My Uncle Earl is sadly no longer with us, but his legacy and prop house remain. That is one thing I find so interesting. Legacy as it pertains to design and architecture. Architecture is a little different because a Falling Water or Disney Concert Hall will always garner attention while the interior design of an amazing Manhattan apartment, unless published, might get no such love. I want to share the stories of some incredible set decs with you. How they do what they do, why they do it, where you might have seen their work, what they love about it and what they would like you to know.If you love entertainment, this will be enjoyable for you…If you are a designer, this will be invaluable. To change the thought process from work to lasting legacy. From a project, to a story telling set that makes better the characters who inhabit a real-life environment.
What I find so incredible about set decs is their ability to read literally between the lines to uncover the true essence of each character as defined by their environments. What does the decor say about the character? How does the character live, why, how does that affect their relationships with the other characters. Without set design, there is no story. You can have dialogue. You can have stage direction and acting, but there is no context. Set decs create the environment, often in very difficult and challenging situations. Can you derive a set through AI? Sure.Can you create a piece of graphic art through AI? Yes, but 2 things to consider. Those are a complex derivative of many other preexisting works and it is based on prompts, not soul. Set decs are truly givers-of-life in very much the same way as the writer or actor. They create the environment for a director to mold and craft their vision for a finished product. But we don’t celebrate the set decorators the same way, with the same passion as actors, directors or even writers. And I get the sense that many of them are perfectly fine with that provided you let them continue to work the way they do and compensate them fairly.
This is going to be an ongoing addition to The Design Messengers. Thank you to the Set Decorators Society of America for helping set this up. You are going to hear from Jan Pascale, David Smith, Julie Drach and Claire Kaufman, but first up is Don Diers…
Thank you Don, Jan, David, Julie and Claire. Thank you to the SDSA. These conversations were recorded LIVE from the WestEdge Design Fair on-set designed by Marbe Designs featuring Banana Republic Home. Special thanks to them as well.
This is The Design Messengers, an audio essay crafted to get your week of to a great start by sharing ideas to launch you into being the best you can be in all your endeavors but specifically, as a creative in the design and architecture space. Thank you for listening. If you are not already a subscriber, please consider subscribing to the show so you receive every episode of The Design Messengers and Convo By Design automatically when they are published. If you are listening to us for the first time, you can find Convo By Design everywhere you find your favorite podcasts. If you are so inclined, please also consider following on IG @ConvoXDesign with an “X”. Thanks again for listening. Be well and take today first. -CXD