A Heavyweight Battle is Brewing in Beverly Hills, CA Over 1001 North Roxbury Drive | To Save or Not to Save Iconic Architecture and The Cultural Meaning Behind Both Sides of the Issue

I’m Josh Cooperman and this is Convo By Design with a conversation unlike any we have had on the show before. And after 9 years doing this podcast, that’s saying something. DISCLOSURE… opinions voiced by guests appearing on this episode are their own and not necessarily the views of Convo By Design or the host of this podcast.

 I was reading an article recently about another Los Angeles mansion on the potentially slow march to its demise. This one is in Beverly Hills, as many of them are and it’s the same story. Someone with more money than almost everyone else comes in and buys a property for which he possibly has other intentions than living in it, as is. I read this article on dirt.com, and this property sits on North Roxbury Drive and Lexington Road. The Hollywood Regency-style residence was designed by, Carleton L. Burgess.

Let’s stop here for a moment. What makes “significant”, or “special or, more to the point, worth saving? Serious question and one that is really hard to answer for a number of reasons, not the least of which is the rights of a property owner. They worked for the money, or inherited it, whatever, it’s their money. Can they not buy and do with it what they wish. Well, yes, unless there are regulations that prohibit it. This Burgess residence lies within the city of Beverly Hills and unfortunately, Beverly Hills was extremely late to the preservation party and because of that, many architectural gems have been wiped clean, again… being honest here, is an LA tradition and every architect since the 1940’s knew that going in.

Now, in 2012, the City of Beverly Hills discussed ideas around architectural preservation at a city council meeting. In that meeting, they reviewed a list of significant Beverly Hills architects, calling it “A list of local master architects” and the list included 150 such designers. This list was part of a recent requirement to an ordinance that the city adopted to begin preserving properties it deemed “significant”.  It’s important to note that at the time, the city was also compiling a list of original architects for more than 2,900 structures. Using their own mathematical formula, they determined that there would be under 500 structures that would be awarded with a historically significant designation.  Interestingly enough, the time for significant architecture in the city was crafted by those working in Beverly Hills prior to 1970. Fair enough.

The city had a pretty solid plan. The list would be used as criteria for preservation designation and designation as a “local historical landmark.” An interesting note, the criteria verbiage states, “Represents a notable work a person included on the city’s list of Master Architects or possesses high artistic or aesthetic value.” Now, that last part is tricky. “Aesthetic value” to whom? And then it get’s even MORE fascinating with some very specific criteria that includes according to BHMC 10-3-3212:(1)

A.

The property meets two of the following criteria:

B.

The property retains integrity from its Period of Significance.

C.

The property has historic value.

1.

Is identified with important events in the main currents of national, state, or local history, or directly exemplifies or manifests significant contributions to the broad social, political, cultural, economic, recreational, or architectural history of the nation, state, city or community;

2.

Is directly associated with the lives of significant persons important to the national, state, city or local history;

3.

Embodies the distinct characteristics of a style, type, period, or method of construction;

4.

Represents a notable work of a person included on the City’s List of Master Architects or possesses high artistic or aesthetic value;

5.

Has yielded or has the potential to yield, information in the prehistory or history of the nation, state, city or community;

6.

Is listed or has been formally determined eligible by the National Park Service for listing on the National Register of Historic Places, or is listed or has been determined eligible by the State Historical Resources Commission for listing on the California Register of Historical Resources.

Okay, so this does clarify things a little bit and which much of the criteria is nebulous at best, some is very clear. And there is a process and procedure:

“The list will also be used to screen incoming development and demolition proposals and identify properties that could be historically significant. If a property is identified, and the work proposed would demolish or remove historic characteristics, the City Council and the Cultural Heritage Commission will have 30 days to direct staff to conduct further analysis and initiate nomination proceedings. While the property is being evaluated, no permits will be issued, and no work or demolition will be allowed. For demolitions, the 30-day review period is an extension of the existing 10-day wait period currently required of any demolition proposed in the City. The 30-day review period for development

Page 3 of 4 6/27/2012

 List of Local Master Architects

projects is a new holding period; however, plans submitted will continue to be processed and therefore it is not anticipated that the 30-day review period will result in any added wait time, unless the City Council or CultUral Heritage Commission instructs staff to initiate nomination proceedings. If the City Council ultimately designates the property as a landmark, the property could still be remodeled or potentially demolished; however the proposal would first be reviewed and approved by the Cultural Heritage Commission, and the City Council upon appeal.”

One guess whose name DOES appear on the list of 150 Notable Architects. Correct. Carleton L. Burgess. On January 24, 2012, the City of Beverly Hills adopted ordinance No. 12-O-2617 establishing a historic preservation program. That program included a list of notable architects and the architect was listed. Further, the City of Beverly Hills maintains a list of Master Architects(2) for specifically this purpose.

So, if this particular property was crafted by a noted “Master Architect” and fulfills 2 of the criteria listed, which it arguably hits at least 4 of the 6 criteria, then why is this up for debate? Yo already know the answer to this question. Someone with a significant amount of money, in this case, the owner, according to the article on Dirt.com, is a man named Eric Baker, the CEO and co-founder of StubHub, so you there is a significant amount of money there. Also mentioned in the article was that Baker or his representatives applied for a certificate of ineligibility for historic designation. 

So, I’m going to warn you right now, were are going to get into the weeds a little bit. Here is what constitutes a Certificate of Ineligibility(3):

10-3-3221: CERTIFICATE OF INELIGIBILITY:

Any owner of a property not listed on the local register may at any time file an application with the city requesting a determination that the subject property is not an eligible property and therefore is exempt from the provisions of this article.

A.   Applications: A request for a certificate of ineligibility shall be made by filing a written application with the department of community development. The application shall be completed on a form provided by the department, and shall include all required information and payment of applicable fees. Copies of the application shall be provided promptly to members of the commission by the director to enable commissioners to provide information to the director concerning the subject property where appropriate.

B.   Administrative Procedure: Within thirty (30) days after the filing of the application, the director shall review the application materials and determine whether the application is complete or whether additional information is required. If the application is determined to be incomplete, the director shall promptly inform the applicant in writing of the missing information. Within thirty (30) days after the submittal of the missing information, the director shall again review the application materials and determine if the application is complete. The processing time lines and procedures set forth in this section shall commence on the next business day after the application is deemed complete.

Within thirty (30) days after the application is deemed complete, the director shall prepare and serve on the property owner by first class, prepaid mail a written preliminary evaluation stating whether or not the director finds that the subject property is an eligible property. If the director does not find that the property is an eligible property, the director shall issue the requested certificate of ineligibility; but if the director believes that the property is an eligible property, the director shall not issue the certificate. If the director fails to prepare and serve a preliminary evaluation regarding the subject property within the allotted thirty (30) days, such failure will be deemed a finding of ineligibility, and the director shall issue the requested certificate of ineligibility without further delay.

C.   Hearing After Preliminary Evaluation: If the director declines to issue a requested certificate of ineligibility, the commission shall consider the matter de novo at its next regularly held meeting; provided, however, that if the next regularly scheduled meeting is set to occur less than ten (10) days or more than thirty (30) days after completion of the preliminary evaluation, the director shall schedule another meeting to occur within thirty (30) days after completion of the application at which the commission shall hear the matter. The director shall give written notice of the date, time, place, and purpose of the hearing to the applicant/appellant and any designated agent(s) by first class, prepaid mail not less than ten (10) days prior to the hearing. If, based on the director’s preliminary evaluation and any other evidence provided to the commission at or prior to the hearing, the commission determines that the subject property is not an eligible property, it shall issue the requested certificate; but if the commission finds that the subject property is an eligible property, it shall not issue a certificate.

D.   Effect Of Certificate Of Ineligibility: A certificate of ineligibility bars the commission or the city council from initiating landmark designation proceedings concerning the subject property, in whole or in part, for a period of seven (7) years from the date of issuance. While a certificate of ineligibility is in effect, the subject property shall not be listed on the local inventory, and shall not be subject to the provisions of sections 10-3-3217 and 10-3-3218 of this chapter.

E.   Effect Of Nonissuance Of Certificate: A final determination not to issue a certificate of ineligibility bars the owner of the subject property, and any successor in interest, from filing another application for a certificate of ineligibility concerning the same property for a period of five (5) years. Any such final determination may also serve as a basis for the commission to list the subject property on the local inventory if it is not already so listed.

F.   Extensions Of Time Periods: Any period of time to act specified in this section may be extended by the commission or the director upon request of the owner of the subject property. Such a request shall be made in writing or on the record at a noticed hearing. (Ord. 15-O-2682, eff. 11-19-2015)

This was a special episode of the podcast for a very specific reason. We examine what makes an iconic property. We do this because while a structures age doesn’t make it significant, we do need to define what does. While Every Hills was fairly late in this regard, which cost the city many true iconic properties like; Wallace Neff’,s Pickfair, Wallace Neff’s Falcon Lair, or Wallace Neff’s Enchanted Hill. Wow, Neff took a hit in Beverly Hills.  According to Curbed Los Angeles (4), Microsoft co-founder, Paul Allen had Enchanted Hill demolished around 1997. Pia Zadora had Pick Fair torn down in 1990 and Falcon Lair’s main structure was destroyed in 2006. All before the 2012 organizational structure  was established for historical preservation. Not every property that is older than a certain date is significant. But a structure crafted by a noted architect does, regardless of whether I like it or a multi-millionaire buys it. The architectural provenance is detailed, criteria is outlined and it appears very clear. There is a special hearing scheduled for June 21, 2022 and it should be interesting. According to an article in the Beverly Hills Courier(5), written by Samuel Braslow, and the most important of details in this whole thing is the fact that on March 15th, the City of Beverly Hills actually issued a certificate of ineligibility for the property thereby stating that this property has no significant historical value.  

  1. BHMC 10-3-3212: Obtained from the internet on 6.10.22
  2. List of Master Architects. Obtained from the internet on 6.10.22

3. Certificate of Ineligibility. Obtained from the internet on 6.10.22

4. https://la.curbed.com/maps/los-angeles-lost-mansions. Obtained from the internet on 6.10.22

5. Braslow, Samuel, Beverly Hills Courier, 6.5.22. https://beverlyhillscourier.com/2022/06/03/council-will-review-1001-n-roxbury-despite-challenge/Obtained from the internet on 6.10.22

6. Mark Rios Letter to Beverly Hills City Council – Obtained via the Internet on 6.19.22

LATE ADD – As I was getting ready to publish this, I found a note entered into this fight by architect Mark Rios (6). An extremely accomplished architect and landscape architect who worked on this property not once, but twice. Here is an excerpt from his letter, and you will see instantly which side of this debate upon which he stands and it might surprise you.

“I’m writing to address the potential historic status of 1001 Roxbury Drive, Beverly Hills, which I

understand is currently being considered.

I’ve had a long history with the property. I had the unique opportunity to partner with two separate owners, David Bohnett and subsequently Lisa and Josh Greer, for full remodel and revisioning projects. The piece from LUXE magazine was a publication of my work on this property.

I hope you know from our past work in Beverly Hills, that I am an avid supporter of Architectural Historic Preservation. I can fondly list the historic buildings we’ve helped to preserve and restore within the city, and we continue to work to protect and add to the city’s important architectural resources. I support and applaud everyone in Beverly Hills who passionately works to protect and maintain this irreplaceable historic resource…I’d like to make a few more comments to consider in this conversation. I fully support the city’s urban design guidelines for this neighborhood, which I believe are the key factors which give this house, other homes, and the overall neighborhood its sense of value and character. Open front yards, the position of the house on the street, the avoidance of high hedges, the limited heights of fences, the limited amount of hardscape all SIGNIFICANTLY contribute to the character of Beverly Hills. These planning ideas should be celebrated and protected, because I believe it’s what give the neighborhood its “historic significance,” not the individual houses. If a specific house remains, gets remodeled or replaced, it doesn’t matter to be honest. What’s important is the character of the neighborhood which creates the important feel and personality of this part of Beverly Hills. I applaud the Beverly Hills Architectural Review board for all their time and effort to protect and improve your community,:Their hard work, and your work from the Planning/Development departments is evident- and it pays off.

In conclusion, I absolutely support the designation and protection of valuable Architectural historical assets within the City of Beverly Hills, but 1001 Roxbury is not one of them.

A note of interest, one of the most interesting things about this debate is the lack of history or importance surrounding this property. And significant owners of this property. David Bohnett, Josh and Lisa Greer, seriously, need for more fame? I’m not so sure. Published property in AD and Luxe. I don’t know, this doesn’t sit well with me and I believe in property owners rights, but I also strongly believe in preserving history and remarkable design. Okay, on with the episode.

Thank you to Councilmember Mirisch and Jamie Rummerfield for joining in the conversation. As mentioned, the owner’s legal council in this matter and Josh Flagg were invited to provide comment but neither did so at the time of publication.

So, say what you want about millionaires and billionaires doing what they wish with significant architecture and how that affects society as a whole versus their individual rights to do what they wish with the things they buy but at the end of the day, tomorrow actually, June 21st, 2022, there will be a satisfied group and an unsatisfied group. And there will either be a well documented and protected example of classic Regency-Style architecture, or there will be a Certificate of Ineligibility upheld and most likely, another piece of local history gone forever. We’ll see. Thanks for listening. Until next time, be well and take today first.

Designing Across America with Purpose, Precision and Intent | 380 | Marissa Stokes

Welcome back to Convo By Design, I’m Josh Cooperman and this week we are speaking with Marissa Stokes. We are talking about…C’mon, you know what we’re talking about.

I say that half-kidding. Like, yeah we’re talking about interior design, architecture, art and this amazing business of shelter and design. But really, every conversation that I have had, over 300 interviews, 200 panel conversations, hundreds of events, every single one of them are different because each creative is so unique. This week, our conversation with Marissa covers design across the US including projects in California, New York, Montana, New Orleans and South Florida. Marissa earned her BFA in Interior Design from Parsons School of Design and spent time working for Victoria Hagan and Jayne Design Studios before starting on her own design journey. 

Designer Resources 

ThermaSol – Redefining the modern shower experience

Article, great style is easy. It’s the best way to buy beautiful modern furniture

York Wallcoverings – Designed to inspire for over 125 years

Franz Viegener – Finely crafted sculptural faucets

Moya Living  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry

We talk about the work and her journey. We also discuss the current state of design, the business of design and all that that entails. Marissa is a complete designer with artists touch for color and an engineers approach to furniture placement. Her use of space is elegant and efficient as is her approach to the business. You’ll hear all about it, right after this.

Thank you, Marissa, loved our chat. Thank you ThermaSol, Article, York Wallcoverings, Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.

International Influences in Architecture | 379 | A Conversation about Style from South America to Southern California with Luis Murillo of LMD Architecture Studio

Hello creatives, If you’re new, welcome, if not, welcome back to Convo By Design. This journey of ours in search of amazing design, architecture, furnishings and art is in its 9th year now and I am so happy that you’re joining me for another episode.

Designer Resources

ThermaSol – Redefining the modern shower experience

Article, great style is easy. It’s the best way to buy beautiful modern furniture

York Wallcoverings – Designed to inspire for over 125 years

Franz Viegener – Finely crafted sculptural faucets

Moya Living  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry

This week, I’m speaking with Luis Murillo of LMD Architecture Studio. This Bogota, Colombia born architect moved his family to Los Angeles in 1997 and opened his firm in 2010. Luis is the exemplifies the American Dream, or at least what the idea of the American Dream is supposed to represent. South American influence is nothing new to Southern California. It takes a special architect to not just understand space, time and place. But honor all three when you have both historical significance and arguable the world’s greatest canvas upon which to work. Luis respects the past and allows his upbringing in Columbia and love for space to guide his design regardless of style, traditional, mid-century or modern. The art takes first chair.

My hope is that by introducing you to new talent, it will influence your work. It will allow you to strive for greatness and perhaps think about your own work differently. This is architect, Luis Murillo.

Thank you, Luis. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.

Modern Textile Creation & Manufacturing, A Creative Approach to Disruption | 378 | Kathryn Sanders of Western Sensibility

Hello creatives, If you’re new, welcome, if not, welcome back to Convo By Design. This journey of ours in search of amazing design, architecture, furnishings and art is in its 9th year now and I am so happy that you’re joining me for another episode.

I recently took a trip. A journey back to Los Angeles for the latest installment of Legends, presented by the La Cienega Design Quarter. Saw some old friends and made a few new ones.  It is the design events that remind me just how special our industry is and while I love design just like you, it’s not the work that makes the industry so special, it’s the people. That is why I love to focus on the stories. Like this one featuring Kathryn Sanders of Western Sensibility. We are talking about textiles. And next generation textiles at that. Kathryn is changing the way textiles are designed and produced. Small batch, custom prints, and state-of-the-art production techniques that make turn-around times faster and digital production that makes new collaborations possible without the long timelines and extensive cost. This is Western Sensibility’ Kathryn Sanders.

Designer Resources

ThermaSol – Redefining the modern shower experience

Article, great style is easy. It’s the best way to buy beautiful modern furniture

York Wallcoverings – Designed to inspire for over 125 years

Franz Viegener – Finely crafted sculptural faucets

Moya Living  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry

Thank you, Kathryn. Thank you ThermaSol, Article, York Wallcoverings, Franz Viegener andMoya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.

A Spring Back to the Pacific Design Center in 2015 | 377 | The Capitals of Style

Hello Creatives, If you’re new, welcome, if not, welcome back to Convo By Design. This journey of ours in search of amazing design, architecture, furnishings and art is in its 9th year now and I am so happy that you’re joining me for another episode. A special episode, a throw back if you will.

Every so often, I try to bring back past conversations so you can hear them again and this one is special. It was recorded live at the Pacific Design Center in 2015. It was called Capitals of Style and featured, Jane Hallworth, Ashley Hicks and Vincente Wolf. Moderated by Dan Rubenstein,  with a forward by Jeff Sampson, then VP of Marketing for the PDC and whom many of us in the SoCal design community miss dearly.

I wanted to republish this one because while travel has always been a top influencer of designers, travel is now so hot again it is time for both discovery and re-discovery. It’s time to recharge the batteries. It’s time to get out and while you’re at it, to go and see some world class design and architecture. Something tells me this conversation from 7 years ago holds as true today as it did then. Enjoy.

Thank you, Jane,Dan, Vincente and Ashley for participating in this conversation.Thank you to the Pacific Design Center for your many years of partnership and collavboration. Thank you Jeff for putting this panel together and casting it so masterfully. You are missed. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out.

Design as Art Form, Like Jazz | 376 | Jon Batiste

I’m Josh Cooperman and this is Convo By Design with a very different conversation than those you have become accustomed here on the podcast. And you’re going to love it.

It’s absolutely true. This is a very different type of conversation because for the past nine years doing this show, I have tried to bring you all kinds of different angles on design. I’m really proud of that. I feel a responsibility, a challenge to continue driving the conversation forward. I have been thinking about this for a while. What you may not know about me is the many different things I have done as a journalist before covering design and architecture almost exclusively. For a few years, I was doing interviews for Playboy and the radio division. I hosted interviews with celebrities in much the same way you would read the interviews, these were audio. I was listening to many of these conversations recently and I started hearing similarities in the way artists from other disciplines discuss their work in similar ways and I thought it would be fun to re-air some of these conversations. 

The chat you are about to hear is one I shared with multi-Grammy award winning Jazz musician and leader of Stay Human, the house band for Stephen Colbert. What I find so interesting about Batist is his perspective on Jazz in particular, music in general and the manner in which he writes and plays. As a vehicle to deliver emotion. Much of the interior design business revolves around emotional delivery as well. Crafting a space and delivering an emotional, purposeful product is a gift. 

My hope is that you will enjoy this conversation and realize the one true through line that all successful creative forms possess is the ability to illicit a reaction. That is the gift. 

In future episodes, you are going to hear from past interviews of mine, showcasing creatives from different fields with the hope and purpose that you can take some of their ideas about creativity to craft new ideas and dream big. Enjoy this conversation with Jon Batist.

Thank you, Jon. Rerunning this conversation just made me happy. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. 

Remember why you do what you do and that the business of design is about making better the lives of those we serve. Until next week. Be well and take today first.

The Lost Interview with Bernardo Puccio | 375 | Stories From LA’s Golden Age of Design

I’m Josh Cooperman and this is Convo By Design with a conversation that should have aired on the podcast almost three years ago. I found this and I am really happy to share it with you, the incomparable Bernardo Puccio.

So, it’s tru, the following conversation was recently found on a drive in a my studio and this was recorded around October 2019. Bernardo Puccio has been in design for over a half century and has amazing stories to tell about the glory days of Hollywood, designing for his celebrity clientele or his activism with Elizabeth Taylor.

Thank you, Bernardo. I loved our time together. Your story is amazing. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. 

And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. 

Remember why you do what you do and that the business of design is about making better the lives of those we serve. Until next week. Be well and take today first.

This is How Architecture, Historic Preservation and Product Design Comes Together | 374 | It Takes A Visionary Like David Khouri

I’m Josh Cooperman and this is Convo By Design with a conversation that spans architecture, historic preservation and product design with David Khouri of KGBL.

Let’s add the tag multi-disciplinary creative to this episode because that is what you are getting with David Khouri. A master’s degree in both Architecture and Historic Preservation from Columbia University, and then after years of travel and self-discovery, starts developing furniture. Now, Design Director at KGBL, where he has been creating for over 13 years. This conversation covers far more than just design, we talk about stunning American made furnishings that speak to the need for both unique product and domestic production. Modern furniture, and a story that begins by starting a company during one of the worst financial times in recent memory. 

Thank you, David. I appreciate the time and I am a huge fan of your work. The story is amazing. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. And, thank you for listening, remember why you do what you do and that the business of design is about making better the lives of those we serve. Until next week. Be well and take today first.

Designer Resources

ThermaSol – Redefining the modern shower experience

Article, great style is easy. It’s the best way to buy beautiful modern furniture

York Wallcoverings – Designed to inspire for over 125 years

Franz Viegener – Finely crafted sculptural faucets

Moya Living  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry

A Look Back to the Future | 372 | The Sustainable, High Tech Home of the Future from the 1950’s and Today

I’m Josh Cooperman and this is Convo By Design and we are going back to the 1950’s for a look back at the future… That’s right.

I recently came across a video that was made in the 1950s by Westinghouse called the Total Electric Home. It is a fascinating film hosted by Betty Furness. She was an actress, consumer advocate and special assistant in consumer affairs to the Johnson administration.  Furness past away in 1994 and she was really interesting. She turned a less than stellar acting career into a significant role as consumer advocate and saleswoman. Furness hosted this remarkable film that was created by and featuring the products made by Westinghouse Electric.

Westinghouse was founded in 1886 by George Westinghouse who years earlier, in 1865 patented the first rotary steam engine. In 1869, he patented an air braking system for use on the railroad. In 1888 Nikola Tesla patented the alternating current motor and goes to work for Westinghouse. In 1893, Westinghouse beats out Thomas Edison to win the contract to power the Chicago World’s Fair. Then in 1914, Westinghouse acquires Copeman  Electric Stove Company to enter the home appliance market. So in the 50’s, here they are with this fully integrated electric home. Why didn’t it take? The idea was genius. The reason it didn’t work was due to many factors not the least of which was the competition in the marketplace and to perhaps an even larger extent, the proliferation of other power sources.

Natural gas has been used in the United States since before 1836 when the City of Philadelphia created  the first municipal natural gas company. I don’t want to go too deep here and turn this into a history lesson. Rather, let’s look at this amazing piece of history as we look forward. Some of the same basic ideas incorporated into the Westinghouse Total Electric Home are relevant and even being reintroduced as of this writing. Just listen to Betty’s introduction: So the idea for the Ring doorbell can be traced back to the 50’s. While I don’t know what “Rayescent lighting” is, it sounds pretty cool. While the idea of seeing visitors is not novel to us now, imagine how this idea was received in the 50’s? A great idea right, but how about this?

What? The idea for a home that is organized in zones is not new, but to envision a home that works together as opposed to simply trying to seamlessly connect spaces is, to this day, a revolutionary idea. Keep in mind that at this time, formal dining rooms, formal living rooms and phone niches were all ‘must haves’. 

Now, I don’t want you think that this whole idea could be plucked from then and planted now… There’s this…

It appears only men are interested in the weather, but wait…

Integrated heating and watering. Not only novel, but amazing!

Not sure about multiple hampers, because let’s be honest, no kid I know is going to self-sort by material or color. Speaking of kids…

Okay, so we are getting off topic a little bit, but it’s okay because this Total Electric Home is a concept house, like many of the cars you go see at the auto show. It makes you wonder why there aren’t more experimental spaces from which to truly explore the elements that go into living well.  There is cost, of course, but I always thought that was a perfect role for the design house. Of which we are starting to see fewer organized by the media and more created by developers. 

I wanted to use this opportunity to share some ideas you have heard by architects on previous episodes and a few to come. We are talking about not just creating the home of the future, but the home for now, homes with spaces designed to suit the way we live now and  factor in the changes that come next. This is architect Anthony Poon referencing the Wallace Neff Bubble House in Pasadena and talking about Modern for the Masses.

That was Anthony Poon talking about concepts, this is architect Stephen Francis Jones and his use of shipping containers to build. A plentiful, relatively untapped resource for creation of dwellings. Stephen founder of SF Jones Architects talks about creating a dwelling from shipping containers.

From here we can jump to a conversation with noted LA architect Dan Brunn. Dan and I spoke at the WestEdge Design Fair ant we were talking about some of his truly transformative projects and it all started with his love for the Bauhaus style in which he grew up as a boy in Tel Aviv. Listen to Dan explain it.

Studio MLA’s Ben Feldman and I sat down to talk about his work on the LA River project and this is further proof that the modern home and the modern solution to housing truly is a multifaceted patchwork of ideas cobbled together to address many issues, changing times and conditions not to mention technologies, both coming and going. That Total Electric Home of the future wasn’t just a one off creation but ideas put into practice every day. Listen to Ben explain it from his perspective.

Quite a bit has been unpacked here. Adding another twist to the modern, technologically advanced home is a brief chat with Steven Ehrlich when we met at Modernism Week in 2018. He was giving me a tour of an amazing project in the desert using some uncommon materials for the terrain to make the house both lighter on the footprint and function better. Check this out.

Wrapping this up with architect Lorcan O’herlihy and a brief chat about LA and Detroit from an urban living perspective. Concepts, materials, style, technology, and compatibility are all crucial to the modern, livable home and one also needs to understand municipal policy, change it if you can work around it when you must and be creative stitching projects in whenever possible. Nobody understands this like O’herlihy.

This has been fun, I hope you enjoyed it as much as I have. Here is Betty Furness one last time with the Westinghouse pitch. It’s compelling. Makes you wonder what we can do with the advancements we have some 70 years later.

What a fun look at past design and how it affects both today and tomorrow. Thank you to all of the creatives who added to this conversation; Anthony Poon, Stephen F Jones, Steven Ehrlich, Dann Brun, Ben Feldman and Lorcan O’herlihy. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener for your partnership and support. You are remarkable partners and amazing allies for the trade. And, thank you for listening, remember why you do what you do and that the business of design is about making better the lives of those we serve. Until next week, Be well and take today first.

Pulling Focus on Light Design | 371 | Brett Andersen – Focus Lighting

I’m Josh Cooperman and this is Convo By Design with a brand spotlight on a unique lighting company that is making art with light.

I am not exaggerating nor embellishing what they do. They are a lighting company that create mood, space and time through light. Their work runs between hospitality, retail, entertainment, museums and all kinds of other projects. Light is critical to an experience and in turn, requires planning and placement to get it right. This is Brett Andersen, partner and principal designer at Focus Lighting. We are talking about lighting, and application of the craft. We’ll get to that, right after this.

Designer Resources

ThermaSol – Redefining the modern shower experience

Article, great style is easy. It’s the best way to buy beautiful modern furniture

York Wallcoverings – Designed to inspire for over 125 years

Franz Viegener – Finely crafted sculptural faucets

Moya Living  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry

Thank you, Brett. Love your story and the art you bring to life. For more stories like this, make sure you are subscribing to the podcast. You can find the show everywhere you get your favorite podcasts… But, you already knew that. What you might not know, is that there are literally hundreds of other episodes for you to binge on now. Go check them out. 

Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade. And, thank you for listening, remember why you do what you do and that the business of design is about making better the lives of those we serve. Until next week. Be well and take today first.