I’m Josh Cooperman and this is Convo By Design with an illuminating conversation about creativity, design and making things.
It’s that last part that I find so intriguing both Ethan Streicher of Streicher Goods. Anyone who has made something. I mean really made something as in a thing from a block of wood or multiple parts that were not designed to be put together knows that there is magic in crafting something from nothing. It’s what I imagine it feels like fro a designer or architect to take a space and turn it entirely into something else. Ethan Streicher is a maker of objects, an art director ceramicist and artist.
Ethan and I shared some time and swapped ideas about makers and making. I feel as thought the design industry in all disciplines woke up in the summer of 2020. The greatest take away from that time is in two parts; 1. Once something happens, it can happen again. and 2. When an occurrence takes place that affects the entire planet and every person on it at the same time, there will be fallout, changes, disruption upon disruption. That has what happened. Many have returned to what they perceive as normality. But we are still in the midst of vast changes in the way way think and the manner in which we live. If you want to seewhat that looks like, turn to creators, makers, artists and writers. Put down the magazines and news, they can only tell you what was and perhaps what is. But not what will be. Look to the makers for that.
Be skeptical. After all that is what guards against the dreaded trendy next big thing.
Be curious. Without curiosity, there is no possibility of discovering that which might change your life in unimaginable ways.
Be free with honest and probing questions. Our society has changed the way it looks at questions. A question will open the door to understanding. If someone is offended by the question, it might be because they don’t know the answer.
Makers, thinkers, writers, artists, designers will show you the state of our world in ways others can’t, or won’t. Ethan and I explore what it means to be a creator in times like these. If you are a designer, decorator or set decorator, Ethan is a new source. You’re welcome.
There you go. Thank you Ethan for taking the time to talk and sharing your work. Thank you to my partner sponsors for your continued support of the show and the design community. It’s important to the health of our industry. If you are a designer interested in learning more about my partner sponsors like Pacific Sales, ThermaSol, TimberTech, Monogram and Design Hardware, as well as any guests or concepts you heard on the show, please check the show notes for more information.
Please keep those emails coming. convobydesign@outlook.com and reach out on Instagram @ConvoXDesign, with and “x”. Thank you again for listening. Until next week, be well and take today first. – CXD
I’m Josh Cooperman with a very special episode of Convo By Design. We’re recognizing and celebrating the life’s work and accomplishments of an amazing individual. Were welcoming a young new mind into the architecture community and remembering another friend that we lost way too soon. All in one night. Laughs, tears, joy…all from the ICAA Southern California chapter’s Legacy Dinner honoring architect, Tim Barber.
For a few years now, I have had the privilege and the honor of emceeing the Institute of Classical Architecture & Art, Southern California Chapter’s annual Legacy Dinner recognizing the life’s work of a member of our community. This year, it was to recognize Tim Barber, a wonderful man, amazing architect, previous guest on the show and liver of life. He’s an absolute gem. This was a special night and I wanted to take you there with me so you could hear everything that transpired. You are going to hear from ICAA SoCal president, Daren Franks. UCLA architecture student, Delia Mizrahi, who went through one of ICAA’s fantastic programs. You are going to hear Marc Appleton’s sweet remembrance of Suzanne Rheinstein and much more. Everything that happened…almost, from this years Legacy dinner. We’ll get to that, right after this.
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Amazing. What a wonderful night! Amazing. Thank you ICAA for allowing me to be a part of this. Thank you to all who participated in this incredible night. If you would like to attend the event this year or join the ICAA SoCal chapter, which I highly recommend,check the show notes for links.You can hear why I love doing this and this is why it is so rewarding for me to share these stories with you.Thank you to my partners and sponsors, ThermaSol and Design Hardware for your continued and unwavering support of the show and for the design community.
For more stories like these from the design community, please make sure you are subscribing to the podcast, so you receive new episodes automatically when they are published. That way, you never miss an episode. Convo By Design is available everywhere you find your favorite podcasts. Thanks for listening, until next week, be well and take today first. -CXD
I’m Josh Cooperman and this is Convo By Design. We are talking about the Remote Design House in Tulsa, Oklahoma. This episode features a tremendous talent and incredible friend, John McClain.
In the last episode of the show featuring this new design house project in Tulsa, Oklahoma, you heard about and from designer Gail Davis. This episode features John McClain and his work on Rose’s Room. First, a reminder about this project.
Designer Resources
ThermaSol – Redefining the modern shower experience. Episode 271 featuring Mitch Altman
Design Hardware – A stunning and vast collection of jewelry for the home!
The pandemic created a forced shelter-in-place which affected home and office design more than most other industries.
The core ideas of both home and office have changed forever. And rightfully so. At the same time, the very nature of what architects and designers do hasn’t changed at all, while their means, methods, processes and procedures certainly have. The remote nature of this design house is in direct response to designers responding to clients that they could not see in person at the time and, for those who have left their current city or state but love their designer and want to remain with them. If I live in Los Angeles and move to Aspen, I might want my designer to to work on my project. But if my designer doesn’t know how to work remotely, or virtually, that can and will be a problem.
Remote Design is the practice of working in one place on a project in another.
Virtual Design is the process of working on a project that does not currently exist. Thank of it as an idea without a physical embodiment.
The Remote Design House – Tulsa is a real project, using real designers who will never physically step foot in the project house. All the work is being done virtually, and remotely with local trades and artisans doing the work.
This project will also not have tours and there are no tickets for events or parties. No matter where you are listening to this, you will have access to the final project through videos, before and after segments, product features and an intimate look at the project house, neighborhood and City of Tulsa.
Side note. I was recently in Los Angeles for a design event in May and as I was telling many in the trade about the project, the Mose common response was, “eww, why Tulsa.” This has been a common response since I started planning this project in 2020. There is a visceral, negative response to the idea of Tulsa, Oklahoma and the Midwest from many I have met in LA, New York, Tab Francisco and the other “high style” design destinations. My response is always the same, “oh, when was the last time you were in Tulsa?” Not a single person with that response has ever been to Tulsa because had they been, they would know what a special city this is. Which is exactly why it was selected over Austin, Nashville, St. Louis, Kansas City, Seattle and Denver. Nothing against those cities, but Tulsa is special and over the next year, you are going to find out why.
The Family | The Jennings’s, Michael (45), Rachael (42) and their children, Davis (19) and Rose (17) are transplants from New York City. The family learned that they could work remotely from anywhere in the country and sought out a city where they could slow down, focus on family and still grow their business, make friends, finish high school and pursue a higher quality of life. The desire was to slow down, focus and decrease the rat race pace and find their space.
Michael is a TV producer. He is an avid cook, not a chef. He enjoys his work but is looking for ways to separate himself from doing it 24/7/365. Michael is connected (media) and looks for ways to disconnect, spend time volunteering coach youth sports and engaging in creative endeavors. This includes building and refinishing furniture.
Rachael is in sales. She manages a territory across the US and does the majority of her work online but travels about 5 times a year to industry trade shows. Rachel enjoys reading, yoga and quiet meditation. She is an avid baker who loves spending time in the kitchen and enjoys spending time with the family.
Davis is a college student, attending school on the east coast. While his room is not occupied year-round, when he is at home, he spends countless hours on research projects. He spends time gaming with his college friends around the country and enjoys reading, golf and computer training events.
Rose is a senior in high school. She is a highly accomplished athlete. She plays club soccer and lacrosse and debate competitions. Rose misses her friends back home and looks forward to playing host when they come to town and visit her. There are times when she is often exhausted and physically beat up from long tournament weekends. She spends long hours doing research papers and studying so her workspace needs to be both functional and comfortable. She is fashion forward and cherishes her personal space as teenage girls do.
The home is American Colonial built in 1936. This is a unique property with a park setting and Tulsa’s Crow Creek running though the back yard. Project rooms include; Living Room, Kitchen/ Dining Room, Michel and Rachael’s Room, Rose’s Room, Davis’s Room, Club Room, Guest Quarters w/ Sunroom, Office. All bedrooms are en-suites.
John McClain of John McClain Design is also a long time friend and by far the most business savvy designers working in the business today. Pair that with his tremendous talent and you have a complete deign professional whose work stops those who love design in their tracks.
John McClain is an accomplished interior designer, speaker, writer, and on-air contributor who has turned his lifetime passion for interior design into an opportunity to do the same for others. As a young man, John’s interest in creating beautiful spaces was sparked by his family’s talent in home building and renovations.
Soon, John began remodeling and redesigning home after home and combined a trade taught by his family with his natural aesthetic ability. Shortly after his career launch, John appeared on HGTV; and through this experience, his personality and design perspective were visible to a larger audience, and he was soon designing homes across the country. Next, John joined a prestigious interior design firm/furniture design company in Los Angeles, CA. Here, John gained an appreciation for the sophisticated west coast design style while collaborating on designs for many LA homes-including several celebrity clients. John also fueled his passion for custom furniture design-learning the ins and outs of quality craftsmanship and unique designs, eventually leading to his own home furnishings company, John McClain Home. John McClain Design is a well-crafted blend of John’s past design experience, education, and innovative-forward thinking.
John selected Rose’s Room and he infused it with glamour, style and a luxurious functionality that allows for work, study, fun, games, dreaming, relaxing and growing in a single space. It is so wonderful and I cannot wait to share it with you.
There you go, that is John McClain and I want you to notice a few things. John is resolute in his talents, style and abilities. That is not arrogant or cocky. John spends a great deal of time studying his craft, knowledge base of materials colors and finishes. Basically, John does the work and it shows in his design. That is the next superpower of the most talented designers. An unquenchable thirst for knowledge, a curiosity that leads to a superior base of knowledge. Why is this important? It provides:
A full understanding of what is available, and the performance of the product and materials.
Anunderstanding of the longevity of the idea. Is it a trend, a fad, or, is it something that will resonate for the duration of the design itself. This brings up another concept. Design is NOT forever. There is lasting style and classics but don’t mistake that to believe that the design is going to be forever. Nothing is. Everything has a lifespan. Architects design for 75, 100, maybe 200 years. Designers tend to create for 10, 15 or 20. Daily use furnishings and rugs will not last that long before recovering or restoration is needed. Keep that in mind.
Securing the best material quality available so when that sofa does reach the end of its life, it can be recovered, and reimagined to reflect the ideas of the day. A good designer sees that potential.
Superior designers who know their business are truly futurists. By that I mean they can look into the future based on what is happening today and predict how developing trends in design might affect other elements of the design. In this case, John designed for a 17 year old girl who will take this design concept with her when she gets her own place. And that design concept will craft her future design ideas and desires. Brilliant really.
So, it’s such a gift to have a great designer, but that’s not always enough. You need good product partners too. The pandemic and later, supply chain issues, inflation and staffing has put a white hot spotlight on the design industries product and manufacturing companies as well as the designers themselves. Not all the businesses in our industry were prepared for what happened, nor were they prepared for what would be required to keep clients and designers happy. We had some specification issues on this project and not every partner responded the same.
There was a console specified. The cost of the console was $2,000. The shipping, added later was $5,000. That is not a mistake, $5,000 to ship a $2,000 console. Needless to say, we cancelled that and found local artisan n Tulsa to craft one that that captured the original idea and I think it really did in the end. The materials used on this console were all reclaimed materials and that too felt pretty good. So, locally made by a local Tulsa, delivered locally and crafted of locally reclaimed materials. Oh, and it was delivered for about 20% of the cost of the other product. Not 20% less, 20% of the total cost. It required local research on my end and input form John. But it really worked.
There was one issue that really did not sit well and it had to do with the window coverings. We had a local workroom craft them but the materials came another vendor. The original order was not correct and the service required to fix it was less than stellar. Love the material, but will not be using that vendor again. Know your vendors and build that relationship even if you are not ordering from them now, it will pay off in the end.
Thank you, John for your time and talent. Your incredible and amazing vision. Thank you to Convo By Design partners and sponsors; ThermaSol, York Wallcoverings, Moya Living, Design Hardware. And thank you for listening and subscribing to Convo By Design. I so appreciate that you take me with you on your drives, hikes, workouts all the other places where you listen to your podcasts. For more stories from the Remote Design House – Tulsa and interviews, panels and design events, please make sure you are subscribing to the show. Remember why you do what you do and take today first. -CXD
I’m Josh Cooperman and this is Convo By Design. After 10 years doing this show, I am still happy to say that I love doing it. If I’m being completely honest, it’s not because I am surprised and delighted by the design. I am, but that’s not why. I have grown accustomed to seeing extraordinary design and architecture. Spectacular new products, amazingly talented creatives doing the work. But it is the people and their stories that keep me in a childlike state of wonder. That is why I continue to love doing this show the way I do. And today’s episode is no different. This is part of a series called American Made By Hand and it features a friend, Brad Glock who turns wood into exquisite pieces of Americana. And you are about to hear his story.
Designer Resources
ThermaSol – Redefining the modern shower experience. Episode 271 featuring Mitch Altman
Design Hardware – A stunning and vast collection of jewelry for the home!
I met Brad while learning to turn myself, something I have wanted to do for a very long time. After moving to Oklahoma to work on the design house, I had the chance to do that and Brad was one of the instructors. Turning is like any other passion or endeavor, you have to love doing it and the skill and art follow, as is the case with Brad. His work is amazing. As always, you can check the show notes for links to Brad’s work, but what is to follow is my conversation with Brad as part of a new series I’m starting called American Made By Hand. As the best designers know, if you’re accessorizing, clients want the story, the provenance, an understanding of the meaning behind products and materials they are bringing into their homes. Brad is an artist, and a craftsman. Years ago, you might recall me speaking with Rossoblu chef and restauranteur Steve Samson who explained that he was a craftsman, not an artist. He could make something you’ve eaten before in Northern Italy, and it would taste like his grandmother’s grandmother made it, but he doesn’t create new work. That left an indelible mark on my brain. It did. A desire not to create, but recreate with exactness… Amazing. But, Brad is an artist and a craftsman. He innovates using wood, a lathe and other items as they materialize.
I had an idea, I asked Brad to work with me to create a custom tableware set for the Tulsa Remote Design House Project. We ideated, designed it and he turned it. I did sand though, and I have a scar to prove it. That is a story for another day. I consider Brad a friend and I am thrilled, truly to share his story with you. This is Brad Glock on Convo By Design’s, American Made: By Hand.
Thank you, Brad. Love your work and I cannot wait to share images of this incredible tableware set. A side note, this collection is available for purchase, not this exact one, but one of your own, customized just for your project. Make sure to contact me directly. Message me @ConvoXDesign or email me at Convo By Design at Outlook dot com.
Thank you to my partners and sponsors ThermaSol, Moya Living and Design Hardware. You can find direct links to them and to Brad in the show notes. Thank you for listening and subscribing to the show. Remember why you do what you do and for whom you do it. I appreciate you, I do this for you. Be well and until next week, take today first.
I’m Josh Cooperman and this is another episode of Convo By Design with an incredible digital resource for any creator, designer or artist who wants to get some new eyes on their work.
The resource is called WESCOVER, you can find them at WESCOVER dot com and you’re about to hear from Allison Murray, Content Director at WESCOVER. This is a digital portal for amazing creative work, they connect people, places and the work.
I spoke with Allison late in 2019 and while editing the piece, I was trying to find the best time on my editorial calendar to share this with you and then things sort of made the choice for me. 2020 stared off great in SoCal design… KBIS in January, Modernism Week in February and then coronavirus happened. The most amazing thing about creative endeavors is that they are an experience to be a part of and to share with others and when something like COVID-19 strikes, it makes the sharing part very difficult. There will most likely be many more canceled events in the spring and possibly summer months. The life’s blood of creative types is the export of work and import of inspiration. This is about connections and finding new sources of inspiration one artist, designer, architect, creator, or podcaster at a time. This is Allison Murray, Content Director of WESCOVER.
That is a wrap on this episode of Convo By Design. Thank you, Allison, for your time. Thank you, Walker Zanger, for your generous support of the show and thank you for listening and subscribing to the show. If you haven’t yet, it’s easy. You can find the show everywhere you find your favorite podcasts or ask Alexa. Say, “Hey Alexa, play Convo By Design podcast.”, and she will. Until next week, stay healthy and keep creating.
This past year, Convo By Design was an official media partner of LCDQ’s LEGENDS event. As part of this partnership, I interviewed 38 of the window designers. It was a glorious challenge. Unfortunately, I didn’t have a lot of time with most of the designers. Our conversations were brief and focused on the windows and the legends they embodied. But, there were a few opportunities to spend a bit more time with some and this is one of those. Nicole Gordon and I first met a few years ago, I think it was the Wattles Mansion showcase. What stood out to me then and I remember to this day was how she crafted a super luxe space, dripping with high concept design and she suspended an IKEA lighting fixture in the middle of the room. It not only fit, but looked, as great design always does, as though it was made for that space. It belonged there. That is what I think about Nicole Gordon’s design style. It all belongs. High, low, vibrant color or stark white, it was all planned and looks like it was made to work together. Nicole respects the craft and you will hear her share some thoughts on showing that respect as she honors legendary designers who came before her.
Let me set the stage for you. I’m sitting in the HOFA Gallery on LaCienega, surrounded by white walls and beautiful works by local and international artists. This is the perfect setting for an interview, and what makes it that much more special is the fact that I had been looking forward to this conversation for a while. It was with Dakota Jackson.Yes, Jackson is a legendary furniture designer, yes, Jackson also mastered the art of brad partnerships as the one he has nurtured for quite some time with Steinway & Sons. But, he is also a masterful conversationalist.Because of this, I knew that I was going to be tested.
This is a conversation about so much more than furniture and design. This podcast affords me the latitude to explore new avenues with creatives. To really see what lies beneath the work and where it comes from.
Dakota Jackson is a masterful creative with a background in the art of magic, theater, illusion and craft. He is also a true artist with a legendary story to match his body of work. We talk about the desk he crafted for John Lennon at Yoko Ono’s request. You’ll hear about the days on Warhol, Diane von Furstenberg and his participation in the American Art Furniture Movement.
This is designer, artist, magician and maker, Dakota Jackson.
