I’m Josh Cooperman and this is Convo By Design with interior design business coach, Melissa Galt. We are talking about the business of design and fame in the family. This one is fun and if you pay close attention, you will learn some strategies for upsizing profits of your design business.
Designer Resources
ThermaSol – Redefining the modern shower experience
Article, great style is easy. It’s the best way to buy beautiful modern furniture
Seriously, Melissa Galt claims that her superpower is calling you on your BS, and she’ll do it. The fame in her family, as you’ll hear, gives her a unique perspective on the designers who must deal with big personalities. We’ll be right back with design business coach, Melissa Galt.
Thank you Melissa. I enjoyed our conversation and really appreciate the time.And thank YOU for listening to the podcast, subscribing to the show and for your emails. Its Summer in 2022 and travel is in full swing so you are going to be hearing episodes of the show from New York, Texas and LA events in the coming weeks and months. You are also going to be hearing episodes showcasing the work done on the 2022 Remote Design House – Tulsa. A project I am extremely proud of and really looking forward to sharing with you. The first two episodes are coming featuring designers Gail Davis and John McClain. I think you’re going to LOVE this! Thanks again for taking part of your busy day to spend with me and the most wonderful designers in the world! Until next week, be well and take today first. -CXD
I’m Josh Cooperman and this is Convo By Design with the second part of a conversation that aired on June 20th, 2022. It aired a day in advance of a Beverly Hills City Council meeting that was determining a Certificate of Ineligibility and ultimately, the future of this property located on one of the most famous residential streets in the world. And depending on which side of the issue you reside, it did or did not end well.
I’m not going to rehash the issue because that has already been done. If interested, you can find the episode in the podcast feed or go to the show notes and click on the link to listen. This episode is pretty much the last chapter until I ultimately report back with what will be built after this Carleton Burgess designed house is torn down.
I’m also not going to relitigate this issue, it has already been done. Everything that needed to be said, was said in a marathon council meeting. I am going to play some excerpts of note but first, I want you to know that I see value on both sides of this issue. I believe in property owners rights. If you spend the money to buy something, and you follow the rules and you do it with transparency, you should have the right to do what you wish. At the same time, I believe in preservation because it is culturally important. If you look at Beverly Hills alone,so many properties of note by legendary architects have been torn down and it’s not because there was not a buyer for the properties. To the contrary. Many of these stories are not known until the process for saving them makes the news and by then, it’s too late. Falcon Lair, PickFair, Garden of Allah, the Brown Derby. It’s not just Beverly Hills. But here’s the thing. Beverly Hills failed miserably in this case identifying, labeling and securing the architectural treasures within their city. City Council, with the exception of Mr. Mirisch seemed more interested in the minutia, meeting Mr. Baker and seeming just interested enough as to avoid any political blowback. A side note not related to the historical issue. Beverly Hills will be allowing the demolition of a 10,000 square foot home as the majority if not all building materials make their way to a landfill. The environmental impact of this is significant and again, is it In the best interest of the community? Is this a part of your Sustainability Plan?
1001 North Roxbury Drive is NOT a tear down and was not a property that someone would just buy for the dirt to rebuild a dream home. This property has been lovingly maintained, has a significant history in Hollywood lore.Jack Benny, Lucille Ball and Desi Arnez, supposedly Esther Williams swan that pool back in the day. The property has been published in shelter publications. In the process of trying to assure that this property was NOT listed as a significant property, well respected shelter publications and websites were deemed nothing more that shills for paid stories to promote those who did the work.
As we dig in a bit, you are going to hear segments from the City Council Meeting of June 21, 2022. You are going to hear segments from over 3 hours of testimony and debate. First, Mayor Bosse and City Planner Ryan Gohlich explain how this got here in the first place. As you listen, note that this only happened because the property was sold, and the new owners applied for a Certificate of Ineligibility to begin the process of (potentially) destroying this home.
Benjamin Hanelin of Latham & Watkins now explains, in detail and masterfully lays the groundwork, a roadmap really, for obtaining a Certificate of Ineligibility. Before I play this for you, I think it is important for you to know, I don’t really care if this home is torn down or not because I don’t live in Beverly Hills, don’t drive by this home on my way to work or dropping the kids off at school,don’t walk my dog by this home, don’t see it in any way and because of that, this doesn’t affect my life and so it does not materially affect me if this home is torn down, another erected, large gates installed, they want to revive the Sheik’s House, it doesn’t affect me personally. But it does affect the community of Beverly Hills and it directly affects those who live, work and visit. It is offensive though to hear the manipulation of facts, and minimization of significance, the tearing down of what Beverly Hills has deemed a Master Architect in their community for the sole purpose of stripping social, architectural and historical value of this home.
Talk about exceptional, Benjamin Hanelin is an exceptional attorney. In just 13 minutes, he completely dismantled the City’s standards for what would qualify for preservation. I believe we will see this approach in the future.
Next up are the words of architect Mark Rios. Here is what he had to say. I think it’s disingenuous to tear down the work of another creative as it represents a golden era for Hollywood Regency, architecture and Beverly Hills in particular. That timeframe is when the legend of Beverly Hills was cemented, in large part to the stars and the star architects (and builders) crafting the structures. You simply cannot have an iconic example of architecture without an interior space and an exterior space, otherwise, it would be, simply a set.
Mark Rios is entitled to his opinion both professionally and personally. I also think that because he is such a talent, his work on the interiors and exteriors added to the significance and the cultural value of the property. Ifthat were included in the petition, should have added historical significance, not detracted from it.
A piece written by Lambeth Hochwald for AD covering the Darius Rucker renovation of an 1803 home. The piece online shows 5 images and only one is of the exterior, very much the same issues pointed out by all looking to devalue 1001 North Roxbury, yet the point of the article is about the betterment of a historical property by what is done to it later in its life. Moving on.
If an iconic city like Beverly Hills wants to save their cultural treasures, if city government wants this on behalf of the community,they have to realize a few things, and take some action which is infinitely more challenging.
If you leave this up to city staff, it will fail. Most, if no city staff of Beverly Hills live within the city limits of Beverly Hills is my guess, yes, this is an assumption. Staff earning government salaries are not living in $15, $20 million homes or paying $4,000 – $6,000 a month for rent. That means they simply interpret the rules as written and their interpretation is not that of a stakeholder but one of a bureaucratic entity.
If you wait until a property is published, it will fail. Shelter publications don’t send out writers to find architecturally significant homes. They receive submissions from the likes of Mark Rios and his company’s communications team to plant a story idea, and in many cases, provide photography and storylines. No publication is going to just publish your most significant architectural properties on their own. To make that a criteria is really silly. As is the fame of the individuals who live there because is most cases, fame is subjective. Is it only stars of stage and screen, not industry? Will the Baker’s soon-to-be designed new home at 1001 North Roxbury be designated as architecturally significant because I have no doubt that the structure will be designed by an amazing and highly published architectural firm…and I am also sure that the interior design will add to the architecture, as it must. Perhaps Mr. Rios will be the designer of this project. This is purely speculation, but if so, or a firm like his with an internal communications team as skilled as his, they will get the story published. AND, further… Eric Baker is a titan of industry as the founder of StubHub. He and Dr. Baker have been well published now as the owners taking 1001 North Roxbury down. These are things you can’t do.
Here is what you CAN do Beverly Hills.
Establish a registry of every property built in Beverly Hills before 1970 (that is already the established date). Then, make a rule that no architecture can be considered until after it achieves a certain age. 1970 – 2022 is 52 years, make 50 years the number for consideration. What have you paid for consultants to debate the issue? Why don’t you spend the money on making it work. This is like spending money on security consultants to discuss ways to make something safer versus hiring a respected company to install a tried and tested security system. Other municipalities have tried and true methods for doing this. Did you reach out and ask anyone else? Cornell University for example offers a course in this. Why are you cobbling together your own system for this. If you do, you will fail, as you have thus far.
Cross tabulate that list of residences against the list of 150 Master Architects. Side note, for goodness sake Beverly Hills, Carleton Burgess lists his occupation as “Contractor” on his 1940 Census. Do a modicum of research. And, it doesn’t HAVE to be an architect…Add “builder, contractor” or “developer” to the criteria, then your rules would not be so easily circumnavigated.
Clean up the verbiage. For the amount of time you spent discussing your views, you could have solved this by clarifying the issue itself. To say something is an exceptional, exemplary or otherwise flowery language only opens the issue up for endless debate and disagreement due to its subjectivity. Make it simple, “The property is architecturally consistent with other works of the Master Architect within the city of Beverly Hills.” This does a few things. As is the case with Wallace Neff, it eliminates an experimental project like his Bubble House in Pasadena from contributing to a situation where there might be an anomaly. It also limits the subjective nature of the work to that which resides within the city boundaries.This also gives prospective buyers the confidence to know what it is they are getting into, or not.
Take an image of the home’s exterior and publish it yourselves on the city’s website. So everyone knows the property has been identified and registered. If it’s not on the City website, it doesn’t count. That way, nobody in the city can claim they didn’t know an iconic property was destined for the wrecking ball.
Educate yourselves on what others are doing successfully and replicate their work. Simple.
The last word here is not going to be me, but Council Member John Mirisch. Here is the letter he sent me the day after the vote. For a copy, please check the show notes. Mr. Mirisch wrote:
When it comes to historic preservation, actions – not words – matter
By John Mirisch
Historic preservation in Beverly Hills is dead and we killed it.
Last night, at the behest of paid lobbyists and highly remunerated lawyers, the Beverly Hills City Council majority failed to protect one of the City’s most beautiful and iconic estates from the wrecking ball (I dissented).
Despite the false claims of paid consultants, the Carlton Burgess masterpiece at 1001 N. Roxbury Dr. has been a constant beacon of the elegance of Beverly Hills at the corner of Lexington Drive, the exterior largely unchanged for eight decades.
As was confirmed in testimony last night, the house has maintained its integrity; but sadly many individuals, including anti-preservationist interior designer Mark Ríos, who worked on an update of the interior design of the home, have not.
We are quite literally back to square one for historic preservation in Beverly Hills, when the definition of historic preservation Beverly Hills-style was – and once again is – taking a picture of a landmark building before tearing it down.
Those who actually wrote our ordinance explained in great detail that 1001 N. Roxbury indisputably met the ordinance’s criteria for the non-issuance of a “certificate of ineligibility” in the plain-language they themselves wrote.
It didn’t matter.
Listening to the tortured, warped rationalizations of people who should know better and who make a mockery of all of our “lying” eyes, represents government at its worst. Hiding behind paid staff, who constantly puts their elbows on the scale, and consciously choosing to believe the twisted angles of lawyers who would and do say anything for money is not a sign of civic courage; however, this behavior does expose how money has completely infiltrated and polluted our political system.
The pretense and attempts to gaslight the Community are infuriating and need to be called out.
If you don’t like historical architecture, just say so. If you think money trumps everything else, just be honest about it.
If you don’t respect our Community’s physical legacy, fess up.
But you can’t have it both ways. That’s not how it works. You can’t claim to care when your actions speak another truth. Gaslighting the Community only serves to divide us even more; it’s like spitting in the faces of and throwing salt in the wounds of those who truly do care.
Each time we lose a building like 1001 Roxbury, a mosaic piece that is so irreplaceable and so integral to the fabric of our Community, it’s like losing a piece of our collective soul, bit by bit.
It’s nothing short of heartbreaking for the Community, but at least there were many voices in the night who valiantly went on the record to say: “This is wrong. It’s can’t always be all ‘bout the money. Our Community matters.”
Many thanks to Craig Corman, Jill Collins, Linda and Jerry Bruckheimer, Alison Martino, Diane Keaton, and the scores of others who stood up last night to speak truth to power and truth to money. You get it. You give us hope that one day, perhaps, we will be able to value, respect, and honor our architectural legacy with more than crocodile tears, in a manner that actually means something.
Pivot – piv-ot /pivet/ verb – : a usually marked change especially: an adjustment or modification made (as to a product, service, or strategy) in order to adapt or improve
I’m Josh Cooperman and this is Convo By Design with a conversation that touches issues on the minds of just about every working designer and architect today. We’re talking about the pivot.
You know, the pivot that we have all been forced to make. It’s different for everyone but as times and issues keep changing from minute to minute, we find ourselves looking for ways to change how we work to make the work change for us. Okay, follow me. The business of design has changed now that it takes 12 months to get that sofa and 18 months for some appliances. Everything has and continues to change and I wanted to hear how some in the business are addressing that change. So, for the next hour, you will be hearing from Terra McNutt with RI Studio in Dallas, Kristin with Kozy Kasa Design in Austin and Veronica Ferro with VF Interiors in Chicago. You are going to hear about three very different yet remarkably similar approaches to the business of design. Similar in that they all do what’s needed to get the job done in their unique and fabulous ways, yet they each go about it with a different approach and I think, I hope that you will be as fascinated by this as I am. This is The Pivot panel and we’ll get to it, but first, this.
Thank you Kristin, Veronica and Terra. I am so grateful for you time. Thank you ThermaSol, Article, York Wallcoverings, Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade.
And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.
I’m Josh Cooperman and this is Convo By Design with a conversation unlike any we have had on the show before. And after 9 years doing this podcast, that’s saying something. DISCLOSURE… opinions voiced by guests appearing on this episode are their own and not necessarily the views of Convo By Design or the host of this podcast.
I was reading an article recently about another Los Angeles mansion on the potentially slow march to its demise. This one is in Beverly Hills, as many of them are and it’s the same story. Someone with more money than almost everyone else comes in and buys a property for which he possibly has other intentions than living in it, as is. I read this article on dirt.com, and this property sits on North Roxbury Drive and Lexington Road. The Hollywood Regency-style residence was designed by, Carleton L. Burgess.
Let’s stop here for a moment. What makes “significant”, or “special or, more to the point, worth saving? Serious question and one that is really hard to answer for a number of reasons, not the least of which is the rights of a property owner. They worked for the money, or inherited it, whatever, it’s their money. Can they not buy and do with it what they wish. Well, yes, unless there are regulations that prohibit it. This Burgess residence lies within the city of Beverly Hills and unfortunately, Beverly Hills was extremely late to the preservation party and because of that, many architectural gems have been wiped clean, again… being honest here, is an LA tradition and every architect since the 1940’s knew that going in.
Now, in 2012, the City of Beverly Hills discussed ideas around architectural preservation at a city council meeting. In that meeting, they reviewed a list of significant Beverly Hills architects, calling it “A list of local master architects” and the list included 150 such designers. This list was part of a recent requirement to an ordinance that the city adopted to begin preserving properties it deemed “significant”.It’s important to note that at the time, the city was also compiling a list of original architects for more than 2,900 structures. Using their own mathematical formula, they determined that there would be under 500 structures that would be awarded with a historically significant designation.Interestingly enough, the time for significant architecture in the city was crafted by those working in Beverly Hills prior to 1970. Fair enough.
The city had a pretty solid plan. The list would be used as criteria for preservation designation and designation as a “local historical landmark.” An interesting note, the criteria verbiage states, “Represents a notable work a person included on the city’s list of Master Architects or possesses high artistic or aesthetic value.” Now, that last part is tricky. “Aesthetic value” to whom? And then it get’s even MORE fascinating with some very specific criteria that includes according to BHMC 10-3-3212:(1)
A.
The property meets two of the following criteria:
B.
The property retains integrity from its Period of Significance.
C.
The property has historic value.
1.
Is identified with important events in the main currents of national, state, or local history, or directly exemplifies or manifests significant contributions to the broad social, political, cultural, economic, recreational, or architectural history of the nation, state, city or community;
2.
Is directly associated with the lives of significant persons important to the national, state, city or local history;
3.
Embodies the distinct characteristics of a style, type, period, or method of construction;
4.
Represents a notable work of a person included on the City’s List of Master Architects or possesses high artistic or aesthetic value;
5.
Has yielded or has the potential to yield, information in the prehistory or history of the nation, state, city or community;
6.
Is listed or has been formally determined eligible by the National Park Service for listing on the National Register of Historic Places, or is listed or has been determined eligible by the State Historical Resources Commission for listing on the California Register of Historical Resources.
Okay, so this does clarify things a little bit and which much of the criteria is nebulous at best, some is very clear. And there is a process and procedure:
“The list will also be used to screen incoming development and demolition proposals and identify properties that could be historically significant. If a property is identified, and the work proposed would demolish or remove historic characteristics, the City Council and the Cultural Heritage Commission will have 30 days to direct staff to conduct further analysis and initiate nomination proceedings. While the property is being evaluated, no permits will be issued, and no work or demolition will be allowed. For demolitions, the 30-day review period is an extension of the existing 10-day wait period currently required of any demolition proposed in the City. The 30-day review period for development
Page 3 of 4 6/27/2012
List of Local Master Architects
projects is a new holding period; however, plans submitted will continue to be processed and therefore it is not anticipated that the 30-day review period will result in any added wait time, unless the City Council or CultUral Heritage Commission instructs staff to initiate nomination proceedings. If the City Council ultimately designates the property as a landmark, the property could still be remodeled or potentially demolished; however the proposal would first be reviewed and approved by the Cultural Heritage Commission, and the City Council upon appeal.”
One guess whose name DOES appear on the list of 150 Notable Architects. Correct. Carleton L. Burgess. On January 24, 2012, the City of Beverly Hills adopted ordinance No. 12-O-2617 establishing a historic preservation program. That program included a list of notable architects and the architect was listed. Further, the City of Beverly Hills maintains a list of Master Architects(2) for specifically this purpose.
So, if this particular property was crafted by a noted “Master Architect” and fulfills 2 of the criteria listed, which it arguably hits at least 4 of the 6 criteria, then why is this up for debate? Yo already know the answer to this question. Someone with a significant amount of money, in this case, the owner, according to the article on Dirt.com, is a man named Eric Baker, the CEO and co-founder of StubHub, so you there is a significant amount of money there. Also mentioned in the article was that Baker or his representatives applied for a certificate of ineligibility for historic designation.
So, I’m going to warn you right now, were are going to get into the weeds a little bit. Here is what constitutes a Certificate of Ineligibility(3):
10-3-3221: CERTIFICATE OF INELIGIBILITY:
Any owner of a property not listed on the local register may at any time file an application with the city requesting a determination that the subject property is not an eligible property and therefore is exempt from the provisions of this article.
A. Applications: A request for a certificate of ineligibility shall be made by filing a written application with the department of community development. The application shall be completed on a form provided by the department, and shall include all required information and payment of applicable fees. Copies of the application shall be provided promptly to members of the commission by the director to enable commissioners to provide information to the director concerning the subject property where appropriate.
B. Administrative Procedure: Within thirty (30) days after the filing of the application, the director shall review the application materials and determine whether the application is complete or whether additional information is required. If the application is determined to be incomplete, the director shall promptly inform the applicant in writing of the missing information. Within thirty (30) days after the submittal of the missing information, the director shall again review the application materials and determine if the application is complete. The processing time lines and procedures set forth in this section shall commence on the next business day after the application is deemed complete.
Within thirty (30) days after the application is deemed complete, the director shall prepare and serve on the property owner by first class, prepaid mail a written preliminary evaluation stating whether or not the director finds that the subject property is an eligible property. If the director does not find that the property is an eligible property, the director shall issue the requested certificate of ineligibility; but if the director believes that the property is an eligible property, the director shall not issue the certificate. If the director fails to prepare and serve a preliminary evaluation regarding the subject property within the allotted thirty (30) days, such failure will be deemed a finding of ineligibility, and the director shall issue the requested certificate of ineligibility without further delay.
C. Hearing After Preliminary Evaluation: If the director declines to issue a requested certificate of ineligibility, the commission shall consider the matter de novo at its next regularly held meeting; provided, however, that if the next regularly scheduled meeting is set to occur less than ten (10) days or more than thirty (30) days after completion of the preliminary evaluation, the director shall schedule another meeting to occur within thirty (30) days after completion of the application at which the commission shall hear the matter. The director shall give written notice of the date, time, place, and purpose of the hearing to the applicant/appellant and any designated agent(s) by first class, prepaid mail not less than ten (10) days prior to the hearing. If, based on the director’s preliminary evaluation and any other evidence provided to the commission at or prior to the hearing, the commission determines that the subject property is not an eligible property, it shall issue the requested certificate; but if the commission finds that the subject property is an eligible property, it shall not issue a certificate.
D. Effect Of Certificate Of Ineligibility: A certificate of ineligibility bars the commission or the city council from initiating landmark designation proceedings concerning the subject property, in whole or in part, for a period of seven (7) years from the date of issuance. While a certificate of ineligibility is in effect, the subject property shall not be listed on the local inventory, and shall not be subject to the provisions of sections 10-3-3217 and 10-3-3218 of this chapter.
E. Effect Of Nonissuance Of Certificate: A final determination not to issue a certificate of ineligibility bars the owner of the subject property, and any successor in interest, from filing another application for a certificate of ineligibility concerning the same property for a period of five (5) years. Any such final determination may also serve as a basis for the commission to list the subject property on the local inventory if it is not already so listed.
F. Extensions Of Time Periods: Any period of time to act specified in this section may be extended by the commission or the director upon request of the owner of the subject property. Such a request shall be made in writing or on the record at a noticed hearing. (Ord. 15-O-2682, eff. 11-19-2015)
This was a special episode of the podcast for a very specific reason. We examine what makes an iconic property. We do this because while a structures age doesn’t make it significant, we do need to define what does. While Every Hills was fairly late in this regard, which cost the city many true iconic properties like; Wallace Neff’,s Pickfair, Wallace Neff’s Falcon Lair, or Wallace Neff’s Enchanted Hill. Wow, Neff took a hit in Beverly Hills.According to Curbed Los Angeles (4), Microsoft co-founder, Paul Allen had Enchanted Hill demolished around 1997. Pia Zadora had Pick Fair torn down in 1990 and Falcon Lair’s main structure was destroyed in 2006. All before the 2012 organizational structurewas established for historical preservation. Not every property that is older than a certain date is significant. But a structure crafted by a noted architect does, regardless of whether I like it or a multi-millionaire buys it. The architectural provenance is detailed, criteria is outlined and it appears very clear. There is a special hearing scheduled for June 21, 2022 and it should be interesting. According to an article in the Beverly Hills Courier(5), written by Samuel Braslow, and the most important of details in this whole thing is the fact that on March 15th, the City of Beverly Hills actually issued a certificate of ineligibility for the property thereby stating that this property has no significant historical value.
6. Mark Rios Letter to Beverly Hills City Council – Obtained via the Internet on 6.19.22
LATE ADD – As I was getting ready to publish this, I found a note entered into this fight by architect Mark Rios (6). An extremely accomplished architect and landscape architect who worked on this property not once, but twice. Here is an excerpt from his letter, and you will see instantly which side of this debate upon which he stands and it might surprise you.
“I’m writing to address the potential historic status of 1001 Roxbury Drive, Beverly Hills, which I
understand is currently being considered.
I’ve had a long history with the property. I had the unique opportunity to partner with two separate owners, David Bohnett and subsequently Lisa and Josh Greer, for full remodel and revisioning projects. The piece from LUXE magazine was a publication of my work on this property.
I hope you know from our past work in Beverly Hills, that I am an avid supporter of Architectural Historic Preservation. I can fondly list the historic buildings we’ve helped to preserve and restore within the city, and we continue to work to protect and add to the city’s important architectural resources. I support and applaud everyone in Beverly Hills who passionately works to protect and maintain this irreplaceable historic resource…I’d like to make a few more comments to consider in this conversation. I fully support the city’s urban design guidelines for this neighborhood, which I believe are the key factors which give this house, other homes, and the overall neighborhood its sense of value and character. Open front yards, the position of the house on the street, the avoidance of high hedges, the limited heights of fences, the limited amount of hardscape all SIGNIFICANTLY contribute to the character of Beverly Hills. These planning ideas should be celebrated and protected, because I believe it’s what give the neighborhood its “historic significance,” not the individual houses. If a specific house remains, gets remodeled or replaced, it doesn’t matter to be honest. What’s important is the character of the neighborhood which creates the important feel and personality of this part of Beverly Hills. I applaud the Beverly Hills Architectural Review board for all their time and effort to protect and improve your community,:Their hard work, and your work from the Planning/Development departments is evident- and it pays off.
In conclusion, I absolutely support the designation and protection of valuable Architectural historical assets within the City of Beverly Hills, but 1001 Roxbury is not one of them.
”
A note of interest, one of the most interesting things about this debate is the lack of history or importance surrounding this property. And significant owners of this property. David Bohnett, Josh and Lisa Greer, seriously, need for more fame? I’m not so sure. Published property in AD and Luxe. I don’t know, this doesn’t sit well with me and I believe in property owners rights, but I also strongly believe in preserving history and remarkable design. Okay, on with the episode.
Thank you to Councilmember Mirisch and Jamie Rummerfield for joining in the conversation. As mentioned, the owner’s legal council in this matter and Josh Flagg were invited to provide comment but neither did so at the time of publication.
So, say what you want about millionaires and billionaires doing what they wish with significant architecture and how that affects society as a whole versus their individual rights to do what they wish with the things they buy but at the end of the day, tomorrow actually, June 21st, 2022, there will be a satisfied group and an unsatisfied group. And there will either be a well documented and protected example of classic Regency-Style architecture, or there will be a Certificate of Ineligibility upheld and most likely, another piece of local history gone forever. We’ll see. Thanks for listening. Until next time, be well and take today first.
Welcome back to Convo By Design, I’m Josh Cooperman and this week we are speaking with Marissa Stokes. We are talking about…C’mon, you know what we’re talking about.
I say that half-kidding. Like, yeah we’re talking about interior design, architecture, art and this amazing business of shelter and design. But really, every conversation that I have had, over 300 interviews, 200 panel conversations, hundreds of events, every single one of them are different because each creative is so unique. This week, our conversation with Marissa covers design across the US including projects in California, New York, Montana, New Orleans and South Florida. Marissa earned her BFA in Interior Design from Parsons School of Design and spent time working for Victoria Hagan and Jayne Design Studios before starting on her own design journey.
Designer Resources
ThermaSol – Redefining the modern shower experience
Article, great style is easy. It’s the best way to buy beautiful modern furniture
We talk about the work and her journey. We also discuss the current state of design, the business of design and all that that entails. Marissa is a complete designer with artists touch for color and an engineers approach to furniture placement. Her use of space is elegant and efficient as is her approach to the business. You’ll hear all about it, right after this.
Thank you, Marissa, loved our chat. Thank you ThermaSol, Article, York Wallcoverings, Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade.
And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.
Hello creatives, If you’re new, welcome, if not, welcome back to Convo By Design. This journey of ours in search of amazing design, architecture, furnishings and art is in its 9th year now and I am so happy that you’re joining me for another episode.
Designer Resources
ThermaSol – Redefining the modern shower experience
Article, great style is easy. It’s the best way to buy beautiful modern furniture
This week, I’m speaking with Luis Murillo of LMD Architecture Studio. This Bogota, Colombia born architect moved his family to Los Angeles in 1997 and opened his firm in 2010. Luis is the exemplifies the American Dream, or at least what the idea of the American Dream is supposed to represent. South American influence is nothing new to Southern California. It takes a special architect to not just understand space, time and place. But honor all three when you have both historical significance and arguable the world’s greatest canvas upon which to work. Luis respects the past and allows his upbringing in Columbia and love for space to guide his design regardless of style, traditional, mid-century or modern. The art takes first chair.
My hope is that by introducing you to new talent, it will influence your work. It will allow you to strive for greatness and perhaps think about your own work differently. This is architect, Luis Murillo.
Thank you, Luis. Thank you ThermaSol, Article, York Wallcoverings and Franz Viegener and Moya Living for your partnership and support. You are remarkable partners and amazing allies for the trade.
And, thank you for listening and subscribing to the podcast. I know you already know this, but… there are literally hundreds of past episodes of Convo By Design that you probably haven’t heard, especially if you are new to the show, so go check them out. Be well and take today first.
